A wonderfully atmospheric debut.
In Boochever’s debut middle-grade novel, a reluctant young girl coping with her parents’ breakup becomes part of the fishing community at Alaska’s Bristol Bay.
After her parents’ divorce, 13-year-old Zoey Morley left her home in Colorado to follow her mother and little brother to Anchorage, Alaska. Now, a year later, she still hasn’t heard from her father and must leave the city (and her best friend) to spend the summer at Bristol Bay, so that her mother’s boyfriend can make money transporting salmon in a rickety old Cessna plane. Despite Zoey’s anger at being uprooted again, and her unwillingness to accept Patrick as part of her family, she gradually begins to appreciate the rugged beauty of Bristol Bay and the hardworking people who earn their living fishing there. She starts to settle in when she meets Thomas Gamble, a native boy who lost his father in a tragic fishing accident. The Gambles give Zoey a job with Thomas, running setnets to catch salmon, and she hatches a plan to save enough money to fly to Colorado and find her father. However, after a horrific accident, she must reevaluate her relationship with Patrick and what it really means to be a family. Boochever suffuses her tale with the kind of vivid details only a longtime Alaskan could know, from her descriptions of the majestic landscape to the finer points of commercial salmon fishing. She has a gift for drawing readers in, and a penchant for bringing the details of character’s experiences to life, as in this description of Zoey cleaning up after her first fishing experience: “The bulky clothing felt even heavier and definitely stinkier as Zoey shrugged herself out of the grimy rubber pants and let them fall on the ground near the door.” At the same time, the book delivers scenes of action and suspense in a wholly realistic, organic way.
A wonderfully atmospheric debut.Pub Date: May 1, 2014
ISBN: 978-0882409948
Page Count: 258
Publisher: Alaska Northwest Books
Review Posted Online: Oct. 6, 2014
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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