A tender piece about connectedness.

SOMEWHERE AMONG

During her mother’s difficult pregnancy, Ema and her parents move in with her Japanese grandparents.

Usually, in August, Ema and her white, American mother visit Nana and Grandpa Bob in California. But Mom’s pregnant and weak, so they move in with Papa’s parents on the other side of Tokyo. A new neighborhood’s hard, especially for a biracial kid who’s called “foreigner” by strangers but identifies as Japanese. Ema describes her life and cares in thoughtful, quietly detailed free-verse poems. She worries about the baby (“Other babies have almost come but were lost”), the judgment of her domineering Obaasan (grandmother), and the frailty of sweet Jiichan (grandfather); she misses Papa, who’s almost always at work. Carefully, she refrains from burdening anyone with her concerns. Woven right into this family’s heart are events past and present, local and far-flung. One is Jiichan’s boyhood trauma during World War II, “in the hills / watching / outside Nagasaki,” and how that bombing means that Jiichan’s ancestors have nothing like a grave: “There is nothing / no thing / left of Jiichan’s family.” Another is the Sept. 11, 2001, attacks, which they watch unfold from Japan and which threaten her fragile mother’s peace of mind. An occasional one-sentence poem, starkly alone on a page, strikes hard. Ema’s profound choice of her baby sister’s name brilliantly touches all the themes, including peace.

A tender piece about connectedness. (Verse historical fiction. 9-12)

Pub Date: April 12, 2016

ISBN: 978-1-4814-3786-8

Page Count: 448

Publisher: Atheneum

Review Posted Online: Feb. 17, 2016

Kirkus Reviews Issue: March 1, 2016

Did you like this book?

No Comments Yet

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2016

  • Kirkus Prize
  • Kirkus Prize
    winner

  • Schneider Family Book Award Winner

AS BRAVE AS YOU

Eleven-year-old Brooklynite Genie has “worry issues,” so when he and his older brother, Ernie, are sent to Virginia to spend a month with their estranged grandparents while their parents “try to figure it all out,” he goes into overdrive.

First, he discovers that Grandpop is blind. Next, there’s no Internet, so the questions he keeps track of in his notebook (over 400 so far) will have to go un-Googled. Then, he breaks the model truck that’s one of the only things Grandma still has of his deceased uncle. And he and Ernie will have to do chores, like picking peas and scooping dog poop. What’s behind the “nunya bidness door”? And is that a gun sticking out from Grandpop’s waistband? Reynolds’ middle-grade debut meanders like the best kind of summer vacation but never loses sense of its throughline. The richly voiced third-person narrative, tightly focused through Genie’s point of view, introduces both brothers and readers to this rural African-American community and allows them to relax and explore even as it delves into the many mysteries that so bedevil Genie, ranging from "Grits? What exactly are they?" to, heartbreakingly, “Why am I so stupid?” Reynolds gives his readers uncommonly well-developed, complex characters, especially the completely believable Genie and Grandpop, whose stubborn self-sufficiency belies his vulnerability and whose flawed love both Genie and readers will cherish.

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present . (Fiction. 9-12)

Pub Date: May 3, 2016

ISBN: 978-1-4814-1590-3

Page Count: 432

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

Did you like this book?

No Comments Yet

A richly atmospheric page-turner—readers will eagerly anticipate the forthcoming sequel.

THE CLOCKWORK CROW

Young Seren Rhys stands on the cusp of a new life. Unfortunately for her, the train to her new life is late.

Following the death of her aunt, who saved her from her 12-year stay at the orphanage, she receives word that her godfather, Capt. Arthur Jones, will take her in. Seren spends her wait dreaming of the Jones family and their surely bustling, welcoming manor, Plas-y-Fran in Wales. An encounter with a mysterious man and his more mysterious wrapped parcel (containing the eponymous mechanical bird) leaves Seren reeling, and the mysteries multiply when she arrives at Plas-y-Fran. The place is shuttered and cold, nearly deserted but for a few fearful, oppressively unforthcoming servants. The captain and his wife are away; of their young son, Tomos, there is neither sign nor sound. With the Crow as her only, if reluctant, ally, Seren soon finds herself enmeshed in mayhem and magic that may prove lethal. In her characteristic style, Fisher crafts an elaborate fantasy from deceptively simple language. Seren is a sharp, saucy narrator whose constant puzzlement at others’ consternation over her impertinence provides running amusement. Supporting characters are fascinating if ambiguous players, not so much poorly drawn as poorly revealed, perhaps casualties of the quick pace. The deadened manor, however, provides the perfect backdrop for preternatural forces. Characters are presumed white.

A richly atmospheric page-turner—readers will eagerly anticipate the forthcoming sequel. (Fantasy. 9-12)

Pub Date: Sept. 8, 2020

ISBN: 978-1-5362-1491-8

Page Count: 208

Publisher: Walker US/Candlewick

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

Did you like this book?

No Comments Yet
more