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EXTERIORS

Name: EXTERIORS
Author: Annie Ernaux
ISBN: 1-888363-31-2

by Annie Ernaux ; translated by Tanya Leslie ‧ RELEASE DATE: Oct. 25, 1996

Our age's angsts distilled to a wrenching clarity by a writer who knows how to look—and what to look for.

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French novelist/memoirist Ernaux (A Frozen Woman, 1995, etc.) turns conversations overheard and people and places observed into a disturbingly effective documentary record of modern life.

Moving outside Paris into one of those "new towns'' with fabricated city centers and enclosed malls featuring vast stores, Ernaux, trying to understand a place with no past, began keeping a journal. In it she "sought to describe reality as through the eyes of a photographer,'' trying always to avoid any subjective judgments or reactions, though, inevitably, some people or situations reminded her of her own life and family. A cool writer with an eye for the telling detail, Ernaux collected a variety of precise observations and insights in places as varied as a butcher shop and a Parisian lingerie boutique. Some of the entries, which begin in 1985 and end in 1992, are nearly a page long, others only one or two pithy sentences. Ernaux's France is a gritty, tough- minded place where superstores are the new cathedrals, subways have replaced commuter trains ("you enter Paris along underground tunnels, amid artificial lights, not knowing where you are''), and beggars offer a jarring contrast to the omnipresent consumerism. She watches people on the streets, in the stores, on the subway: a young woman unwrapping her purchases and happily admiring them; a homeless man unself-consciously examining his belly and adjusting his socks; and a mother and daughter in sweat suits and white socks, talking loudly as they "act out the intimacy of a mother-to-daughter relationship which they see as enviable.'' Even the most mundane activities are, for Ernaux, portents of a rapidly changing world increasingly removed from the one she knew as a child and young adult.

Our age's angsts distilled to a wrenching clarity by a writer who knows how to look—and what to look for.

Pub Date: Oct. 25, 1996

ISBN: 1-888363-31-2

Page Count: 112

Publisher: Seven Stories

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE YOUNG MAN
by Annie Ernaux ; translated by Alison L. Strayer

- BOOK REVIEW
LOOK AT THE LIGHTS, MY LOVE
by Annie Ernaux ; translated by Alison L. Strayer

- BOOK REVIEW
GETTING LOST
by Annie Ernaux ; translated by Alison L. Strayer

- AWARDS
Annie Ernaux Wins the Nobel Prize in Literature

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.