edited by Annie Finch ‧ RELEASE DATE: April 7, 2020
Eloquent contributions to the literature on a deeply contested issue.
A powerful collection of poems, fiction, and essays on the reality of abortion.
“Every abortion is a story,” writes Caitlin McDonnell in her moving essay, “The Abortion I Didn’t Want,” one of nearly 150 pieces by a diversity of women (and a few men) that address what Katha Pollitt calls the “bloody realism and emotional and social complexity” of ending a pregnancy. Finch (Measure for Measure: An Anthology of Poetic Meters, 2015, etc.) has drawn together writers across time (from the 16th century to the present), place, race, ethnicity, gender, age, and culture who offer stark, often wrenching revelations. She organizes the book into five sections: “Mind,” focusing on making the decision to abort; “Body,” on the physical experience; “Heart,” on the depth of emotions; “Will,” on the relationship of abortion to personal and political power; and “Spirit,” on the connection of abortion to a woman’s spiritual framework. For many contributors, the experience of abortion reverberated forever after. Writes Desiree Cooper, “we were pregnant with memory for the rest of our lives.” Among the more well-known contributors are Margaret Atwood, Ursula K. Le Guin, Amy Tan, Audre Lorde, Leslie Marmon Silko, Joyce Carol Oates, Anne Sexton, and Gloria Steinem, who admits feeling no regret about her decision. Having an abortion, she writes, “was the first time I had taken responsibility for my own life.” The empowerment she felt, however, was not shared by many others, who faced contempt, blame, and shame. Argentine writer Mariana Enriquez portrays the anguish and fear of teenage girls who live “in a country where abortion is illegal” and where they take place in “ghost houses, anonymous houses.” Novelist Soniah Kamal gathers stories from three Pakistani women who had abortions in 1990 in a country where premarital sex remains a crime punishable by five years in prison. Particularly heartbreaking pieces recount the decision to abort a severely malformed fetus—one, a baby with no brain, whose parents, wracked with grief, were forced to travel from Belfast, where abortion is a crime, to Liverpool.
Eloquent contributions to the literature on a deeply contested issue.Pub Date: April 7, 2020
ISBN: 978-1-64259-148-4
Page Count: 420
Publisher: Haymarket Books
Review Posted Online: Dec. 25, 2019
Kirkus Reviews Issue: Feb. 1, 2020
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PERSPECTIVES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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