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A MANNER OF BEING

WRITERS ON THEIR MENTORS

While too eccentric to succeed as a general handbook for mentoring and being mentored—sage aphorisms and sound guidance are...

An anthology of personal recollections by writers of their mentors.

Many deride collegiate creative writing courses as a plague on literature. To them, most such courses churn out academically correct acolytes and followers of literary convention—academics birthing academics—who spend their careers congratulating each other on their genius (with an incestuous showering of blurbs and awards) but offering comparatively little of enduring value. Too often, the critique is valid. This book, edited by Liontas (Let Me Explain You, 2015) and Parker (English/Univ. of Massachusetts; Where Bears Roam the Streets: A Russian Journal, 2015, etc.), reflects both the virtues and deficits of books immersed in the vagaries of this world. At times playful, touching, and trenchant, the contributions can also be nebulous, labored, and much too self-consciously “literary,” with allusions to writers few will recognize. Nearly 70 authors, many known chiefly to each other, recall their principal influences in writing and in life. Some mentors are recalled anonymously, others were neither writers nor teachers, and for many, books were their counselors. Alas, many a fine writer must augment his or her income by teaching. Some are outstanding at it and at mentoring; their influences are profound. Others tend to perpetuate the worst failings of academic fiction: turgid prose, fealty to fashion, slavish imitation, and undisciplined experiment. But at their best, they give young writers a sense of a way in, of how to take risks and not be derailed by failure, of focusing on the process, not the audience, of obtaining clarity and power, and of finding a place at the table. Notable contributors include Tobias Wolff, George Saunders, Aimee Bender, Mary Gaitskill, Jay Parini, Sam Lipsyte, Sheila Heti, and Tayari Jones.

While too eccentric to succeed as a general handbook for mentoring and being mentored—sage aphorisms and sound guidance are often weakened by wanderings and pretension—the book does offer arresting memories and useful advice on navigating the writing life.

Pub Date: Dec. 12, 2015

ISBN: 978-1-62534-182-2

Page Count: 320

Publisher: Univ. of Massachusetts

Review Posted Online: Oct. 3, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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