A smart, funny, forthright librarian in book form.

DEAR FAHRENHEIT 451

LOVE AND HEARTBREAK IN THE STACKS

A librarian delivers a charming epistolary volume that begs to be read with pencil in hand.

In her debut book, Spence celebrates some of modern literature’s darlings while scathingly reducing other works to pulp. Covering selections from across a vast range of subjects and genres, the author delivers flirty essays and cruel-to-be-kind rejection letters to books as she “weeds” her library’s collection. Unafraid to take shots at publishing’s most lucrative franchises, her letters to Nicholas Sparks and the Twilight series convey the exasperation of a woman who has seen these books checked out constantly while worthier books remain on the shelf. “You made me say ‘erotica’ to an old lady, Grey,” Spence admonishes E.L. James’ Grey: Fifty Shades of Grey as Told by Christian. “I’m going to hate you forever for that!” Valedictions to obscure nonfiction works—e.g., Better Homes and Gardens Dieting for One—signal shifting societal mores and remind us of the never-ending nature of a librarian’s job curating a collection. “Just looking at you makes me feel as if I’m squandering my life,” she writes to The Leisure Alternatives Catalog, 1979. "We can’t all be art-cinema buffs and sailing experts like you.” Readers will find plenty to agree with—the letter to the Frog and Toad books is delightful—and plenty to take issue with—only one work of Russian literature is included—as well as an amusingly disproportionate amount of time devoted to the work of Jeffrey Eugenides. We also get letters to nonbooks that every bookish person will appreciate: a love letter to the library in Beauty and the Beast, a note to an acquaintance’s too-perfect bookshelf. In the hearty second section, Spence provides a useful list of references, recommendations, and resources. Among the other notable works discussed include books by Agatha Christie, Stephen King, Walter Mosley, and Judy Blume.

A smart, funny, forthright librarian in book form.

Pub Date: Sept. 26, 2017

ISBN: 978-1-250-10649-0

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: June 27, 2017

Kirkus Reviews Issue: July 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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