An entertainingly ghostly story with a decidedly gentle tone.
A familiar tale gets a spooky twist.
While playing in the woods, Ghouldilocks, a wide-eyed, wild-haired, yellow-skinned creature, discovers an abandoned mansion. Inside she finds three chairs of differing degrees of hardness, three bowls of—what else?—“ghoulash” of varying temperatures, and three beds of disparate sizes. The tale matches “Goldilocks and the Three Bears” beat for beat as our protagonist sits in every chair and breaks the littlest one, samples all the ghoulash and devours the smallest bowl’s contents, then falls asleep in the smallest bed. When the mansion’s ghostly residents return, they discover Ghouldilocks still slumbering. Mistaking her for a mummy, they’re terrified, and the hubbub awakens the interloper, who, in turn, becomes scared of them. Everyone scrambles for the door. Outdoors, the ghosts realize their error and explain that they’re friendly but that they believed Ghouldilocks wanted their sheets for her wrapping. Mistaken identities are now resolved—with a couple of funny visual and textual puns thrown in—and new relationships are forged. Ghouldilocks is invited to stay, learns to cook ghoulash, becomes besties with Baby Ghost, and promises never to enter anyone’s house uninvited. Children who enjoy the source material will giggle over this humorous take, which emphasizes friendship and goofy antics rather than scares; they’ll pore over the comedically energetic cartoon illustrations and appreciate the satisfying ending.
An entertainingly ghostly story with a decidedly gentle tone. (Picture book. 4-8)Pub Date: Aug. 19, 2025
ISBN: 9780593709603
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
A top-grade creepy/funny addition to the spooky-picture-book canon.
Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?
“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.
A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)Pub Date: July 7, 2026
ISBN: 9781664300972
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
BOOK REVIEW
BOOK REVIEW
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