A page-turning and reflective journey through a year in a pandemic-era metropolis.
A ride-along adventure with a seasoned paramedic through some of New York City’s darker days.
A veteran lieutenant paramedic with the New York Fire Department, one of the country’s largest and busiest, Almojera begins strong with an introductory story about the harrowing ravages of Covid-19 in early 2020. As the author recounts, his biggest career challenges arrived with the first wave of the virus. After the suspenseful early pages, Almojera shares the details of his middle-class Brooklyn upbringing as an intuitive student fighting the rising tide of an increasingly dysfunctional family while expressing appreciation for the seasoned mentor who ushered him into the medical response business. In the spring of 2020, drastically overwhelmed by a mounting, seemingly unstoppable Covid-19 death toll in New York City, Almojera admits the first wave of the pandemic “broke us.” Even worse were the residual grief and anxiety that ruthlessly engulfed EMS workers; suicides, resignations, and total burnout were all part of the new normal within a department already hobbled by mismanagement, undercompensation, and rampant staff turnover. The episodes and memories the author evokes form a tapestry of compassion, dedication, and suffering, ranging from bloody, grisly scenes to excruciatingly sad, inspiring, and uplifting moments with the public he serves. Almojera also writes about how the unique mixture of EMTs he has worked with, whom he calls his surrogate family, formed a safety net of mutual support and solidarity. Running alongside Almojera’s frantic work duties is a chronicle of his personal life, which remained fractured by the tragic murder of his troubled brother, Richie, and memories of his father’s clandestine extramarital affairs. Dedicated to “broken people everywhere,” this book brings the experience of an urban medical response worker into vivid focus, and aspiring EMT’s will find the narrative alternately harrowing, revealing, and invaluable.
A page-turning and reflective journey through a year in a pandemic-era metropolis.Pub Date: June 14, 2022
ISBN: 978-0-358-65287-8
Page Count: 272
Publisher: Mariner Books
Review Posted Online: April 25, 2022
Kirkus Reviews Issue: May 15, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
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