KIRKUS REVIEW
A massive biography of the Civil War general and president, who “was the single most important figure behind Reconstruction.”
Most Americans know the traditional story of Ulysses S. Grant (1822-1885): a modest but brutal general who pummeled Robert E. Lee into submission and then became a bad president. Historians changed their minds a generation ago, and acclaimed historian Chernow (Washington: A Life, 2010, etc.), winner of both the National Book Award and the Pulitzer Prize, goes along in this doorstop of a biography, which is admiring, intensely detailed, and rarely dull. A middling West Point graduate, Grant performed well during the Mexican War but resigned his commission, enduring seven years of failure before getting lucky. At the outbreak of the Civil War, he was the only West Point graduate in the area, so local leaders gave him a command. Unlike other Union commanders, he was aggressive and unfazed by setbacks. His brilliant campaign at Vicksburg made him a national hero. Taking command of the Army of the Potomac, he forced Lee’s surrender, although it took a year. Easily elected in 1868, he was the only president who truly wanted Reconstruction to work. Despite achievements such as suppressing the Ku Klux Klan, he was fighting a losing battle. Historian Richard N. Current wrote, “by backing Radical Reconstruction as best he could, he made a greater effort to secure the constitutional rights of blacks than did any other President between Lincoln and Lyndon B. Johnson.” Recounting the dreary scandals that soiled his administration, Chernow emphasizes that Grant was disastrously lacking in cynicism. Loyal to friends and susceptible to shady characters, he was an easy mark, and he was fleeced regularly throughout his life. In this sympathetic biography, the author continues the revival of Grant’s reputation.
At nearly 1,000 pages, Chernow delivers a deeply researched, everything-you-ever-wanted-to-know biography, but few readers will regret the experience. For those seeking a shorter treatment, turn to Josiah Bunting’s Ulysses S. Grant (2004).
