There are many universal, compelling issues left unexplored, but Aquan-Assee’s recovery and construction of the narrative...
A slightly out-of-focus, harrowing account of recovery from what a doctor called “horrific” injuries sustained in a 1997 Toronto motorcycle wreck.
Describing in the third person the days of his long coma, he notes the efforts of his family and friends to remain with him 24/7, attempting to keep him mentally and physically stimulated. Aquan-Assee then downshifts into a slow-motion first person account of his own frustrating efforts to regain physical and mental focus, fighting back memory loss and struggling to remember people’s names from one second to the next. Neither angle is entirely satisfactory to particularize what surely was a long and arduous battle by the 29-year-old to pull himself back, often by the fingernails, into a world in which he felt increasingly out of touch. For instance, he slides past crucial moments when doctors encouraged his family to “pull the plug,” and their subsequent refusal to do so, even when his life signs were little more than flickers. It would have been helpful to know the thoughts and emotions of his parents and siblings at those precious turning points, as well as the doctors’ reactions to his subsequent recovery–a feat admirably accomplished in spite of their negative proclamations regarding the prospects for his “quality of life.” These are the hot-button issues crying out for greater attention throughout. But Aquan-Assee’s focus remains narrow, limiting the potential audience.
There are many universal, compelling issues left unexplored, but Aquan-Assee’s recovery and construction of the narrative are triumph enough.Pub Date: N/A
ISBN: 0-973-2782-0-X
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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