Engaging.

READ REVIEW

HIDE AND SEEK

Kids lose their dog and find adventure.

Siblings Poppy and Cy are bereft about their missing terrier, Goldie, who is depicted in a small, framed, black-and-white picture behind them in the first illustration. They distract themselves by playing hide-and-seek in the woods, where the illustrations begin to embrace the surreal style Browne is known for. Shadows and shapes invite the eye to see hidden forms and make meaning of them. Cy hides in a crude hut made of sticks, and Poppy seeks him, with the point of view shifting to align viewers with one or the other of them. The perspective also zooms in and out to underscore readers’ alignment with the children and to enhance their sense of the vast, eerie forest. Eagle-eyed readers will spy the shapes of various animals and objects hiding in the woods as Poppy seeks her brother, who becomes increasingly frightened. Then both siblings are scared when they hear a sound, but a page turn reveals Goldie bounding toward Cy in a wordless, full-bleed spread. Poppy soon finds them both, and happily reunited, the trio returns home to their trailer at the edge of the woods. A list at book’s end invites readers to search prior pages to find the hidden animals and objects in the dreamlike images. Both Poppy and Cy have pale skin.

Engaging. (Picture book. 4-8)

Pub Date: Nov. 13, 2018

ISBN: 978-1-5362-0260-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: Aug. 14, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Did you like this book?

No Comments Yet

A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Did you like this book?

No Comments Yet

Eggs-quisitely excellent.

THE GOOD EGG

Being a good egg can be eggs-cruciatingly stressful.

This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.

Eggs-quisitely excellent. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-0-06-286600-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

Did you like this book?

No Comments Yet
more