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MY DAD

Greenaway and Hans Christian Andersen medallist Browne presents a sweet-natured celebration of Dad in all his infinite variety. Browne, a master of the colored-pencil and wash illustration, has an almost preternatural gift for balancing delicious detail with winning whimsy. Here, warmly appealing, carefully composed pictures feature a simple and wonderfully appealing motif—an umber, sepia, and sunny yellow-toned plaid bathrobe fabric as unique visual shorthand for, well . . . Dad. From our first view of him (clasping a mug of tea at the breakfast table) to last (clasping the androgynous child narrator in a feet-off-the-ground hug), he’s reliably clad in his all-occasion snappy blue-and-white-striped pajamas, cozy red slippers, and his “signature” woolen plaid dressing gown. Whether Browne depicts him as a horse tucking into a huge mound of beans, chips, eggs, and tomatoes, a professional wrestler, competing in school field day, or even as weightlifting gorilla, he’s the man in plaid. The publisher may have done a disservice to Dads as well as the book in their well-meaning attempt at improved accessibility for the American audience. In a central spread, bath-robed and mortarboard-clad owl as Dad is posed professorially against a chalkboard covered with arithmetic problems. The facing page then depicts Dad proudly posed (à la American Gothic) with a stiff push broom that pleasingly matches his equally stiff and contoured, flat-top hair—once called a “brush cut.” The original text reads: “He’s as wise as an owl and as bristly as a brush. He’s all right my dad.” The newest version instead captions Dad with broom: “except when he tries to help. He’s all right my dad.” Click. A singularly unfortunate default to the stereotype that any man who engages in any family “life support” activities (like cleaning) is de facto inept. This disappointing spread is even more out-of-step in a book that celebrates the “every-Dad” in every way. Does this flaw/defect detract enough to merit a knee-jerk rejection? No. We can only hope the publisher will return to the original in future reprints. In the meantime, you might want to stock up for Father’s Day. This one has family favorite written all over it. (Picture book. All ages)

Pub Date: April 12, 2001

ISBN: 0-374-35101-5

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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