Browne really cranks up the color intensity in this gorgeous, large-trim portrait gallery of primates.
Beginning with “1 gorilla” and counting up to “10 lemurs,” he presents on each spread a formally arranged head and upper-body close-up, with each subject placed against a plain white backdrop facing the viewer. Most are smiling, though as the groupings increase in size, they begin to take on the look of class photos, with a range of expressions on view and eyes sometimes playfully glancing to the side rather than looking directly out. Nonetheless, every visible eye gleams with steady, clear intelligence. Each ape is painted in hair-fine detail, in variegated hues that—particularly for the titular simian and the fiery orange parent and child orangutans that follow—glow incandescently. Browne closes with a self-portrait followed by a multicultural gathering of humans spanning the age spectrum, all with features and expressions that clearly echo those seen previously on hairier faces. The former British Children’s Laureate has a simple point—“All primates. / All one family. / All my family… / and yours!”—and he makes it in a visually compelling way. (Picture book. 3-8)
Pub Date: Feb. 1, 2013
ISBN: 978-0-7636-6352-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 6, 2012
Kirkus Reviews Issue: Dec. 1, 2012
Fun, silly stuffalo.
What will happen when a surly buffalo has his cover blown?
The book opens on a peaceful, sunny landscape dotted by trees, flowers, and a river. Turning the page, readers meet the Buffalo Fluffalo. The cantankerous creature glares fiercely at readers, his stylized, curly coat puffed out above small bovine feet. A ram, a prairie dog, and a crow each approach the Buffalo Fluffalo with overtures of friendship, but all receive—ahem—a “rebuffalo.” He responds to each with a gruff “I’m the Buffalo Fluffalo—/ I heave and I huffalo./ Leave me alone because/ I’ve had enuffalo!”—a refrain rendered in a large bold text. But after a torrential downpour, the Buffalo Fluffalo is drenched; his fluffy coat plastered to his body, he’s now a fraction of his former size. How will the other animals react? The rhythmic, rhyming verses take plenty of liberties with language and use lots of alliteration, resulting in a humorous read. Despite his aggressive stance, our protagonist is endearingly cross-eyed, and the art exploits the comedic potential of a character who hides behind a puffed-up appearance. Some may wonder why the other animals are working so hard to befriend such a relentlessly hostile character, but all the nonsense words and the complementary art are so appealing that readers will easily accept the sugary ending.
Fun, silly stuffalo. (Picture book. 4-8)Pub Date: Jan. 2, 2024
ISBN: 9780593564530
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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