by Anthony Browne & illustrated by Anthony Browne ‧ RELEASE DATE: Nov. 1, 2006
Very few artists understand a child’s anxieties as deeply—or represent them so thoroughly—as Browne. Here, he presents Billy, who worries about “many things”: hats, shoes, clouds, rain and giant birds, until his grandmother gives him some Guatemalan worry dolls to do the work for him. All is well for a few nights, but then he starts to worry about the dolls’ worries—so he makes more dolls for all of them. This master of surrealism pictures Billy against his trademark wallpaper (which changes subtly with each separate worry) in mono-tinted compositions that trap him in bed, at the mercy of his fears. The highly saturated colors of Guatemalan weaving surround these disturbing images, insulating readers from their full impact and anticipating the eventual relief. Billy himself is human (though he wears a familiar vest), his round face and big ears only vaguely chimp-like; the adults in his life are reassuringly soft and bulky. It’s a sweet acknowledgement that all kids have fears that plague them, and puts a wonderfully childlike solution at their disposal. (author’s note) (Picture book. 4-7)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3124-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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by Anthony Browne ; illustrated by Anthony Browne
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
by Hallee Adelman ; illustrated by Sandra de la Prada ‧ RELEASE DATE: Oct. 1, 2020
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one.
Brock may be dressed like a superhero, but he sure doesn’t feel like one, as social anxieties threaten to rain on his fun .
Juan’s superhero-themed birthday party is about to start, but Brock is feeling trepidatious about attending without his brother as his trusty sidekick. His costume does not fit quite right, and he is already running late, and soon Brock is “way past worried.” When he arrives at the party he takes some deep breaths but is still afraid to jump in and so hides behind a tree. Hiding in the same tree is the similarly nervous Nelly, who’s new to the neighborhood. Through the simple act of sharing their anxieties, the children find themselves ready to face their fears. This true-to-life depiction of social anxiety is simply but effectively rendered. While both Nelly and Brock try taking deep breathes to calm their anxieties without success, it is the act of sharing their worries in a safe space with someone who understands that ultimately brings relief. With similar themes, Brock’s tale would make a lovely companion for Tom Percival’s Ruby Finds a Worry (2019) on social-emotional–development bookshelves. Brock is depicted with black hair and tan skin, Nelly presents White, and peers at the party appear fairly diverse.
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one. (Picture book. 4-6)Pub Date: Oct. 1, 2020
ISBN: 978-0-8075-8686-0
Page Count: 32
Publisher: Whitman
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Hallee Adelman ; illustrated by Patrick Corrigan
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by Hallee Adelman ; illustrated by Karen Wall
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by Hallee Adelman ; illustrated by Josep Maria Juli
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