Browne deftly shows that emotions can arrive suddenly and, more importantly, leave again without any reason why.
The latest installment of the Willy the Chimp series is an emotional roller coaster.
Browne continues Willy’s adventures in his familiar artistic style, depicting apes dressed in human clothes in detailed, mixed-media paintings. Dapper protagonist Willy plans an outing in the park. He is clothed in a patterned, multicolor vest, green corduroy trousers, and brown oxfords as he cheerfully strolls across the mostly white page. Alas, a cloud is following him. He can’t seem to shake it. Although everyone else at the park is having “great fun,” he—and he alone—is shadowed by this cloud, which hovers directly over his head. Now glum, Willy gives up and goes home, trailed by the cloud. Browne uses palette and composition to convey mood, isolating Willy uncomfortably beneath the cloud and muting colors. The cloud seems to go away and his mood lifts, but it returns, and now Willy is angry—so angry that he yells and shakes his hand at the murky stormy sky: “I’ve had enough!…Go away!” At that moment, the cloud bursts, leaving Willy so relieved and happy that he strikes a pose reminiscent of Gene Kelly in the film Singin’ in the Rain. The theme is conveyed in a way that is developmentally pitch-perfect for young readers who often have big feelings that no one can just fix.
Browne deftly shows that emotions can arrive suddenly and, more importantly, leave again without any reason why. (Picture book. 3-7)Pub Date: Nov. 7, 2017
ISBN: 978-0-7636-9498-2
Page Count: 30
Publisher: Candlewick
Review Posted Online: Feb. 2, 2018
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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