by Anthony Bruno ‧ RELEASE DATE: Nov. 1, 1994
The day before Thanksgiving things always go a little haywire. But you've never seen 24 hours as crazy as the day Operation Shark Bite—an FBI plan to place agents who'll go in debt to the mob and gather evidence of the threats and violence that are sure to follow—goes awry when an undercover agent who wasn't supposed to be at risk gets shot and his stake of $130,000 hijacked. FBI agent Cuthbert Gibbons is worried where this mess might leave his partner, Mike Tozzi (Bad Moon, 1992, etc.), who's already so deep undercover (as the porn-producing partner of Freshy DeFresco, a soldier the FeeBees have turned) that he's closing a deal to borrow a bundle from loan shark Tony Bellavita (Tony Bells) after having slept with Freshy's sister Gina, whom Tony's got an eye on himself. But the real danger to Mike is Gibbons himself, after Tony sees the two of them together and reacts by kidnapping Mike and Gina (in a gorgeous set piece in Macy's). In hot pursuit of Tony's getaway car is a posse including Tony's muscle man Stanley Sukowski, who's holding Freshy, Gibbons, and Gibbons's wife, Lorraine (who was just in Macy's to give her grouchy husband some Percodan). Also joining the pursuit is the capo who's furious that Tony shot a Fed. And this demented chase is only the beginning of the story's mad geometry: By the time of the noisy climax among the looming Thanksgiving Day parade balloons, Bruno's explosive farce will have brought together every permutation imaginable of good guys, bad guys, and wiseguys. Inspired plotting that just keeps ratcheting up the tension, and the comedy. You'll never find a better argument for spending the holiday at home.
Pub Date: Nov. 1, 1994
ISBN: 0-385-30508-7
Page Count: 304
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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by Joshua Armstrong with Anthony Bruno
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by Ruth Ware ‧ RELEASE DATE: July 19, 2016
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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SEEN & HEARD
by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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