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MARBLE HALL MURDERS

Susan’s third metafictional whodunit is Horowitz’s most extended and intricately plotted yet—at least until next year.

Sharpen your mental pencils. Editor Susan Ryeland is taking on her most baffling mystery-within-a-mystery.

Now that Susan’s back from Crete and her latest romance, her boss at Causton Books, Michael Flynn, wants her to work with Eliot Crace, a failed mystery author who’s writing a sequel to the late Alan Conway’s tales of detective Atticus Pünd, which she knows far too much about already. As she reads Eliot’s first installment, Susan gradually becomes aware of something seasoned fans will have assumed all along—that the central mystery and the leading suspects in Pünd’s Last Case are all based on Eliot’s family, whose matriarch, world-famous children’s author Miriam Crace, died 20 years ago under circumstances that everyone involved insists weren’t at all suspicious. Teased by the first and simplest of three key anagrams Eliot has sneaked into his manuscript, Susan asks him about all those parallels, whose revelation would surely offend the rest of the family and very likely endanger the big-ticket deal that Eliot’s uncle, family estate manager Jonathan Crace, is negotiating over video rights to the Littles, Miriam’s adorable franchise characters. The mystery Eliot’s created around the fatal poisoning of Lady Margaret Chalfont broadly hints that Miriam was murdered as well. Susan’s attempt to sift through the parallels in the unfinished manuscript and figure out who killed Lady Margaret and what light that knowledge may shed on the death of Eliot’s grandmother is seriously upended when there’s a second murder and DI Ian Blakeney identifies Susan as his prime suspect. No wonder she vows at the fadeout to have nothing more to do with Atticus Pünd: “Never. Never again.” Uh-huh.

Susan’s third metafictional whodunit is Horowitz’s most extended and intricately plotted yet—at least until next year.

Pub Date: May 13, 2025

ISBN: 9780063305700

Page Count: 592

Publisher: Harper/HarperCollins

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

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Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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