Fans tired of meaningless violence should welcome this showcase of the redemptive side of the genre.
Nineteen of the year’s best stories highlight the healing power of crime fiction.
In his introduction, editor Horowitz—whose works range from the English village–set Midsomer Murders television series to James Bond novels based on unpublished material by Ian Fleming—advances the surprising proposition that what unites crime fiction is its ability to offer “kindness, decency, justice, and truth in a world that increasingly seems to have none.” A remarkable number of the year’s choices in this venerable series focus on the redemptive power of families. In Shells Legoullon’s “The Backwoods,” Peter W.J. Hayes’ “El Paso Heat,” and Archer Sullivan’s “Good Harvest,” parents take extraordinary measures to shield their children from danger. Sometimes, it’s left to a grandparent or even a sibling to save a child, as in Fleur Bradley’s “How To Teach Yourself To Swim” and Cameron Sanders’ “Billowing Down the Bayou.” Public servants fill in when families fail in Dan Pope’s “Snow Over Hartford” and Annie Reed’s “Dead Names,” while Victor Methos offers a tale of two good Samaritans who join forces to reunite a family torn apart by a shocking incident in “Kill Night.” Parents struggle to make peace with their adult children in Ace Atkins’ “Stunts,” Leonardo Padura’s “A Family Matter,” and Andrew Welsh-Huggins’ “Wonder Falls.” And a son struggles to avenge his father’s death in Nils Gilbertson’s “Lovely and Useless Things.” Even nephews have their moment in Michael Bracken’s “Beat the Clock.” Like the arc of history, Horowitz says, these tales bend toward justice “at a time when it has never mattered more.”
Fans tired of meaningless violence should welcome this showcase of the redemptive side of the genre.Pub Date: Sept. 17, 2024
ISBN: 9781613165515
Page Count: 512
Publisher: Mysterious Press
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.
Lt. Eve Dallas is sucked into a murder that may well be overshadowed by another crime—and by the news that Roarke, her billionaire husband, is implicated in both felonies in an unexpected and troubling way.
Disturbed from her sleep, Aileen Carville arises to discover her wealthy husband, Nathan Barrister, coshed to death by a heavy amethyst from the collection of his late father, Zip Global founder Henry J. Barrister. His corpse is lying outside an open vault that everyone in the family insists they hadn’t known about until a couple of months ago, and it’s filled with priceless paintings and sculptures and jewels taken years ago from an A-list of museums, one of which—the Royal Suite, a legendary emerald setting—has evidently been stolen once again. The bombshell revelation that Henry must have commissioned the thefts himself leads to two questions—how did the thief who killed Nathan know about the vault and its contents, and what possessed Nathan’s wealthy father to steal and hide all these goodies in the first place?—that are much more interesting than whodunit, though only one of them will be satisfactorily answered. Another bombshell revelation follows: Roarke’s confession to Dallas that he stole the Royal Suite from London’s Tate Gallery when he was still a teenager, years before he turned away from a life of crime himself. Since Interpol is much more interested in the theft than the murder, there’s a real danger that they’ll decide Roarke was once again the thief. So, Dallas faces the double challenge of solving the crimes and keeping her beloved husband out of the frame.
The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.Pub Date: Feb. 3, 2026
ISBN: 9781250414526
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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