ONE MAN TANGO

Oscar winner Quinn is back with another exercise in self- revelation, covering some of the same ground as The Original Sin (1972) and bringing his story up to date. Quinn seems obsessed by the aging process, if this book is any indication (although that is not unusual for actors). The framing device for this more or less chronological narrative is his demanding daily bike ride through the hills and villages surrounding his Italian home. He uses the outing as an opportunity to ruminate on the painful reality that he is losing friends, roles, and abilities to the passage of time. It also gives him entirely too many opportunities to wax philosophical, spewing pseudo-profound observations (``To be loved is the triumph of living. . . . I have been loved a thousand times, and still I am wanting. Does this leave me a triumphant success or a colossal failure?'') But when Quinn embarks on telling the story of his past, the book has flashes of genuine insight. The actor grew up dirt-poor with his mother in El Paso, waiting for his father, who was fighting with Pancho Villa. On his return, Quinn's father went through a multitude of hard, low-paying jobs before drifting, almost inadvertently, into the film business. Quinn himself has held a fair number of unusual jobs, as well. He was a boxer and a preacher working for Aimee Semple McPherson. The range of his associations is broad enough to include John Barrymore, Laurence Olivier, Frank Lloyd Wright, Feodor Chaliapin, and John Steinbeck; and there are several hilarious anecdotes. But too much of the book is taken up with self-flagellating retellings of Quinn's tempestuous love life, his roaring at the world, and his inner thoughts. The voice is unmistakably Quinn's, in spite of (or perhaps because of) celebrity coauthor Paisner (Citizen Koch, 1992, etc.), but that's not necessarily the best thing for the book.

Pub Date: Aug. 1, 1995

ISBN: 0-06-018354-3

Page Count: 400

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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