A detailed, knowledgeable examination of a failing justice system, along with some solutions for fixing it.
An insider’s view of the American legal system—that Bleak House–ish black hole—rendered for the laypeople.
New York lawyer Curto—whose client list has included Yoo-hoo, Monsignor Tom Hartman and Paula Abdul—is a respected community advocate who’s earned many honors. His book is both an overview of his 50-year career and a lively prescriptive for working through the issues that mire our courts. Central is the author’s keen analysis of a 1960 lawsuit that accused Congressman Adam Clayton Powell Jr. of defaming Esther James, his elderly constituent from Harlem. After much delay and misdirection, Powell was convicted and ordered to pay damages, but through a combination of appeals and outlandish human errors, he mostly avoided doing so in a timely manner. Powell’s arrogance and ability to work the system are appalling but hardly unique—then or now. To combat such abuse, Curto outlines a series of “Time Fixes” designed to expedite due process by expanding and updating the court system, codifying monetary awards and enforcing court decisions. But the book is more than an eloquent panacea. At its best, Curto’s deft handling of the social and legal complexities behind James v. Powell, as well as cases concerning folk singer Harry Chapin and Russian dissident writer Aleksandr Solzhenitsyn, approaches that of investigative journalist Dominick Dunne: wry but never cynical, informed without being boorishly technical, and balanced but never leaving the reader in doubt of the ethically correct viewpoint. Time after time, as Curto points out, “The law gives the edge in justice not necessarily to the wealthy but to the defiant: the party who is under legal obligation to comply but refuses to do so…he is in an ideal position to evade justice by using time and delay as buffers—until timely justice can no longer be achieved.” For a Judge Judy–watching society such as ours, the concept of swift legal redress is familiar enough; perhaps if lawmakers, lawyers and litigants were to adopt a comparable, less self-serving view of the legal system, then the notion of “justice delayed is justice denied” could become more than a pithy maxim.
A detailed, knowledgeable examination of a failing justice system, along with some solutions for fixing it.Pub Date: June 8, 2012
ISBN: 978-0984900510
Page Count: -
Publisher: Onward Publishing Inc.
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Review Program: Kirkus Indie
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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