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THE HISTORY OF LIGHTNING

A fast-paced and intriguing SF adventure in which an immortal’s life blows apart.

In Webb’s SF novel, an immortal warrior learns hidden truths about his world.

The story is set on the alien world of Garna, where human civilization is overseen and guarded by nine immortal superbeings called Tragum, who in turn answer to an enigmatic father-figure named the Primus. Lightning, the most feared of the Tragum, acts as the enforcer for this concentration of power, called the Covenant of Fire (“A government. An army. A religion. A promise you can’t take back”). During one mission against potential insurgents, he encounters an old man named Henry Madison who is connected to a subversive group called the Korts; his mention of the legendary Camelot sparks a hazy memory deep in Lightning’s past and prompts an action that seems to surprise him: He shoots Madison dead. Lightning later regrets this—he teases out the story of Camelot from a mistress and wonders about its possible significance. Of far more pressing importance is the covert surveillance he’s been under from his fellow Tragum. Lightning has always been an anomaly among the other immortals, but now he increasingly feels like he’s the target of suspicion from the “mostly silent but always watching” Primus. As events accelerate, Lightning finds himself cast out of the life he’s known for centuries and stalked by his former comrades among the very insurgents he himself used to hunt. As the narrative intensifies, one truth after another underpinning Lightning’s old life is shattered, leaving his future wide open.

One of the foremost challenges faced by any author of speculative fiction is the strategic deployment of exposition dumps—Webb handles this with such seemingly practiced skill that readers will be surprised to learn this is a debut work. His characters are sharply drawn, and the world he’s created—an alluring mixture of fantasy elements, like heavily mythologized folklore; contemporary details, including cigarettes and guns; and SF tropes, such as giant mechanized exoskeletons powered by the “aether” prevalent on Garna—is immersive. Lightning is a complicated main character, brooding and intriguing without ever actually being attractive, even after the scales fall from his eyes—he’s brutal, callous, and fairly dimwitted for somebody who’s had centuries to sharpen his wits. But he’s also always compelling to the reader, and the drama of his disillusionment with the Covenant’s world order is very effectively rendered. The author’s worldbuilding is endlessly engaging, and he displays an excellent sense of timing. The prose can range from plainspoken and brusque (“One of my men needs rescued”) to a high-fantasy eloquence (setting a scene, Webb describes “banners and war whoops and broken men in uniform, clutching at life with slipping fingers”). The author has a keen ear for the rhythm of dialogue; his tense confrontation scenes are uniformly excellent and often predominantly dialogue driven. His action sequences are deftly paced, which makes it unfortunate that there aren’t more of them. The narrative’s glimpses of the centuries-ago events that brought a remnant of humanity from Earth to Garna are temptingly scanty; the book’s conclusion naturally sets up a sequel, but plenty of readers might be just as happy with a prequel or two.

A fast-paced and intriguing SF adventure in which an immortal’s life blows apart.

Pub Date: May 12, 2023

ISBN: 9798218350772

Page Count: 208

Publisher: N/A

Review Posted Online: Aug. 10, 2025

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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