The door's wide open on my guess as to how this will sell. It may get a break, it may be read by the right people, those rare adults who can go over the border of the Never Never Land without a backward look, who can sense intuitively that intangible outer fringe of unreality that is wholly real to children. Let's say that those who loved the fey quality in Barrie — in Robert Nathan —who read their Alice for sheer escape rather than self conscious nostalgia, they will touch the gossamer beauty of The Little Prince, and chuckle over it, and take it as simply and unaffectedly as "St Ex" himself. Perhaps belief in "the little prince" is the forerunner of belief in the gremlins; who knows? This is a fairy tale for grown ups; later the children will claim it, I am sure. It is the tale of the tiny creature who came to Saint-Exupery when he was stranded in the Sahara, who told him the saga of his exotic travels in search of truth, when he left his own tiny asteroid, and visited others, until he reached the earth. It was the fox who wanted to be tamed who taught him that he must return to his own and find there the happiness and the meaning of life he had left....I've seen only a few of the pictures which the author has made an integral part of the text. They are being printed in color — and the text simultaneously, in French and English.
Pub Date: April 6, 1943
ISBN: 0547978847
Page Count: 96
Publisher: Reynal & Hitchoock
Review Posted Online: June 18, 2013
Kirkus Reviews Issue: April 1, 1943
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BOOK REVIEW
PROFILES
Evangeline faces new dangers in her quest for happiness in this follow-up to 2021’s Once Upon a Broken Heart.
As Evangeline Fox seeks a cure for her poisoned husband, Prince Apollo, the enticing and infuriating Fate Jacks reappears, offering to save Apollo if she unlocks the Valory Arch. Remembering the long list of ills brought upon her by the Fate, Evangeline refuses. When the new heir arrives and Apollo wakes with a new curse and glowing red eyes, she is forced to delve into the mysteries of the Valors and find the arch’s four missing magical stones whose powers are luck, truth, mirth, and youth. The inclusion of expanded Valor lore alongside the preexisting blend of fairy-tale and paranormal creatures is intriguing and fits the overarching theme of storytelling as history. The ongoing use of emotions as a scale for displaying and determining one’s humanity, especially by Fates, is equally interesting. Unfortunately, the impact of Evangeline’s often amusing narration and numerous surprising plot twists is diluted by the meandering pacing, convoluted sensory descriptions, and close focus on Evangeline’s fluctuating attraction toward her potential love interests. Despite the positive emphasis on hope and happily-ever-afters, Evangeline’s romantic relationship with Jacks borders on manipulative and toxic. Evangeline reads White; side characters are fantasy diverse.
A disappointing delivery on a potentially gripping second volume. (map) (Fantasy. 13-18)Pub Date: Sept. 13, 2022
ISBN: 978-1-250-26842-6
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: July 27, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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