The door's wide open on my guess as to how this will sell. It may get a break, it may be read by the right people, those rare adults who can go over the border of the Never Never Land without a backward look, who can sense intuitively that intangible outer fringe of unreality that is wholly real to children. Let's say that those who loved the fey quality in Barrie — in Robert Nathan —who read their Alice for sheer escape rather than self conscious nostalgia, they will touch the gossamer beauty of The Little Prince, and chuckle over it, and take it as simply and unaffectedly as "St Ex" himself. Perhaps belief in "the little prince" is the forerunner of belief in the gremlins; who knows? This is a fairy tale for grown ups; later the children will claim it, I am sure. It is the tale of the tiny creature who came to Saint-Exupery when he was stranded in the Sahara, who told him the saga of his exotic travels in search of truth, when he left his own tiny asteroid, and visited others, until he reached the earth. It was the fox who wanted to be tamed who taught him that he must return to his own and find there the happiness and the meaning of life he had left....I've seen only a few of the pictures which the author has made an integral part of the text. They are being printed in color — and the text simultaneously, in French and English.
Pub Date: April 6, 1943
ISBN: 0547978847
Page Count: 96
Publisher: Reynal & Hitchoock
Review Posted Online: June 18, 2013
Kirkus Reviews Issue: April 1, 1943
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PROFILES
Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A resounding success.
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This literary DeLorean transports readers into the past, where they hope, dream, and struggle alongside beloved characters from Thomas’ The Hate U Give (2017).
The tale begins in 1998 Garden Heights, when Starr’s parents, Maverick and Lisa, are high school seniors in love and planning for the future. Thomas proves Game of Thrones–esque in her worldbuilding ability, deepening her landscape without sacrificing intimacy or heart. Garden Heights doesn’t contain dragons or sorcerers, but it’s nevertheless a kingdom under siege, and the contemporary pressures its royalty faces are graver for the realness that no magic spell can alleviate. Mav’s a prince whose family prospects are diminished due to his father’s federally mandated absence. He and his best friend, King, are “li’l homies,” lower in status and with everything to prove, especially after Mav becomes a father. In a world where masculinity and violence are inextricably linked to power, the boys’ very identities are tied to the fathers whose names they bear and with whose legacies they must contend. Mav laments, “I ain’t as hard as my pops, ain’t as street as my pops,” but measuring up to that legacy ends in jail or the grave. Worthy prequels make readers invest as though meeting characters for the first time; here they learn more about the intricate hierarchies and alliances within the King Lord gang and gain deeper insight into former ancillary characters, particularly Mav’s parents, King, and Iesha. Characters are Black.
A resounding success. (Fiction. 13-18)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-284671-6
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 9, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Categories: TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT FICTION
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