Penetrating observations and speculations for scientifically inclined readers.
The renowned neuroscientist delivers a short but definitely not superficial investigation of consciousness, widely but wrongly looked on as mysterious.
Damasio—the chair of neuroscience and professor of psychology, neurology, and philosophy at USC, where he heads the Brain and Creativity Institute—emphasizes that he has no patience with efforts to solve the “hard problem”—i.e., explaining how the mass of neurons in the physical brain generates conscious mental states. His reason: They don’t, at least not by themselves. While the brain plays an indispensable role, it requires input from “non-neural tissues of the organism’s body proper.” At the simplest level, our physical senses provide feelings, and our memory provides context that our sense of self integrates into what we experience as consciousness, which the author defines as “a particular state of mind resulting from a biological process toward which multiple mental events make a contribution,” Feelings, writes Damasio, “provide the mind with facts on the basis of which we know, effortlessly, that whatever else is in the mind, at the moment, also belongs to us. Feelings allow us to experience and become conscious. Homeostatic feelings are the first enablers of consciousness.” Refreshingly for a professor of neuroscience, Damasio writes lucid prose clearly addressed to a popular audience. Even better, the book is concise (180 pages of main text plus notes and references) and helpfully divided into dozens of short chapters—e.g., “The Embarrassment of Viruses,” “Nervous Systems as Afterthoughts of Nature,” “Turning Neural Activity Into Movement and Mind,” “Algorithms in the Kitchen”—many only one or two pages. Make no mistake, however; Damasio is a deep thinker familiar with multiple disciplines, and this is as much a work of philosophy as hard science. Readers familiar with college level psychology and neuroscience will discover rewarding insights, many of which the author covered in his last book, The Strange Order of Things (2018).
Penetrating observations and speculations for scientifically inclined readers.Pub Date: April 13, 2021
ISBN: 978-1-5247-4755-8
Page Count: 224
Publisher: Pantheon
Review Posted Online: Nov. 20, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A stirring, lyrical meditation on transfiguration.
The quest for illumination, examined by an English philosopher.
Critchley, who admits to being “temperamentally a mystic,” celebrates the “cultivation of practices which allow you to free yourself of your standard habits…and stand with what is there ecstatically,” a process that has come to be known, sometimes pejoratively, as mysticism. The word itself, he reveals, emerged from the 17th century’s “modern, enlightened worldview” to describe “an existential ecstasy that is outside and more than the conscious self.” This feeling of ecstasy, Critchley asserts, has the potential of liberating us “from misery, from melancholy, from heaviness of soul, from the slough of despond, from mental leadenness.” Although mystics report intense experiences of what they call God, Critchley argues that mysticism can transcend religion to be primarily aesthetic: joy and rapture can be inspired by art, poetry, and, especially for him, music. In his journey into mysticism, Critchley draws on the writings of mystics, including Julian of Norwich, Bernard of Clairvaux, Margery Kempe, Meister Eckhart, and contemporary writers such as Annie Dillard and T.S. Eliot. For Critchley, Dillard’s Holy the Firm and Eliot’s Four Quartets explore “the relation between art and the divine.” Both writers struggle to convey “some dimension of experience that cannot be expressed verbally and is perhaps closer to music.” Critchley is moved by any music that “triggers the energy of religious conversion”: the post-punk band the Teardrop Explodes, for example, and the Krautrock group Neu! “We know that the modern world is a violently disenchanted swirl shaped by the speculative flux of money that presses in on all sides,” Critchley writes. “Yet, when we listen to the music that we love, it is as if the world were reanimated, bursting with sense, and utterly alive.” Erudite and impassioned, Critchley’s intimate examination of mysticism speaks to a yearning for personal transformation and nothing less than enchantment.
A stirring, lyrical meditation on transfiguration.Pub Date: Oct. 15, 2024
ISBN: 9781681378244
Page Count: 320
Publisher: New York Review Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
