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MYSTICISM

A stirring, lyrical meditation on transfiguration.

The quest for illumination, examined by an English philosopher.

Critchley, who admits to being “temperamentally a mystic,” celebrates the “cultivation of practices which allow you to free yourself of your standard habits…and stand with what is there ecstatically,” a process that has come to be known, sometimes pejoratively, as mysticism. The word itself, he reveals, emerged from the 17th century’s “modern, enlightened worldview” to describe “an existential ecstasy that is outside and more than the conscious self.” This feeling of ecstasy, Critchley asserts, has the potential of liberating us “from misery, from melancholy, from heaviness of soul, from the slough of despond, from mental leadenness.” Although mystics report intense experiences of what they call God, Critchley argues that mysticism can transcend religion to be primarily aesthetic: joy and rapture can be inspired by art, poetry, and, especially for him, music. In his journey into mysticism, Critchley draws on the writings of mystics, including Julian of Norwich, Bernard of Clairvaux, Margery Kempe, Meister Eckhart, and contemporary writers such as Annie Dillard and T.S. Eliot. For Critchley, Dillard’s Holy the Firm and Eliot’s Four Quartets explore “the relation between art and the divine.” Both writers struggle to convey “some dimension of experience that cannot be expressed verbally and is perhaps closer to music.” Critchley is moved by any music that “triggers the energy of religious conversion”: the post-punk band the Teardrop Explodes, for example, and the Krautrock group Neu! “We know that the modern world is a violently disenchanted swirl shaped by the speculative flux of money that presses in on all sides,” Critchley writes. “Yet, when we listen to the music that we love, it is as if the world were reanimated, bursting with sense, and utterly alive.” Erudite and impassioned, Critchley’s intimate examination of mysticism speaks to a yearning for personal transformation and nothing less than enchantment.

A stirring, lyrical meditation on transfiguration.

Pub Date: Oct. 15, 2024

ISBN: 9781681378244

Page Count: 320

Publisher: New York Review Books

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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ON FREEDOM

An incisive, urgently relevant analysis of—and call to action on—America’s foundational ideal.

An examination of how the U.S. can revitalize its commitment to freedom.

In this ambitious study, Snyder, author of On Tyranny, The Road to Unfreedom, and other books, explores how American freedom might be reconceived not simply in negative terms—as freedom from coercion, especially by the state—but positive ones: the freedom to develop our human potential within sustaining communal structures. The author blends extensive personal reflections on his own evolving understanding of liberty with definitions of the concept by a range of philosophers, historians, politicians, and social activists. Americans, he explains, often wrongly assume that freedom simply means the removal of some barrier: “An individual is free, we think, when the government is out of the way. Negative freedom is our common sense.” In his careful and impassioned description of the profound implications of this conceptual limitation, Snyder provides a compelling account of the circumstances necessary for the realization of positive freedom, along with a set of detailed recommendations for specific sociopolitical reforms and policy initiatives. “We have to see freedom as positive, as beginning from virtues, as shared among people, and as built into institutions,” he writes. The author argues that it’s absurd to think of government as the enemy of freedom; instead, we ought to reimagine how a strong government might focus on creating the appropriate conditions for human flourishing and genuine liberty. Another essential and overlooked element of freedom is the fostering of a culture of solidarity, in which an awareness of and concern for the disadvantaged becomes a guiding virtue. Particularly striking and persuasive are the sections devoted to eviscerating the false promises of libertarianism, exposing the brutal injustices of the nation’s penitentiaries, and documenting the wide-ranging pathologies that flow from a tax system favoring the ultrawealthy.

An incisive, urgently relevant analysis of—and call to action on—America’s foundational ideal.

Pub Date: Sept. 17, 2024

ISBN: 9780593728727

Page Count: 368

Publisher: Crown

Review Posted Online: June 25, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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