Astonishing in its sweep and depth, this book offers a unique way of looking at the universe.
A fascinating book that guides us through the labyrinth of numbers and what they mean.
Theoretical physicist Padilla, whose research focuses on the intersection of advanced mathematics, physics, and cosmology, sees the world as a collection of particles, waves, and forces described by a spectrum of numbers ranging from the vanishingly small to the unbelievably large. Dividing the book into “big numbers” and “little numbers,” the author traces the history of each of his fields of study, providing sketches of the people who made the key breakthroughs. This is lively history, from the Newtonian world of movement and collisions to the mysteries of quantum mechanics, with Einstein and a host of others making appearances. Finding numbers large enough to make sense of the universe has been a constant problem. Graham’s number, usually written as a mixture of numerals and esoteric symbols, was the standard for a while; Padilla describes it as a “black hole head death,” too big for the human brain to handle as anything but an abstraction. Graham’s number was eventually surpassed by TREE(3), the product of a self-replicating series. At the other end of the numerical scale, Padilla stares into the abyss of supertiny particles and components of atoms, confronting the randomness of the way they stick together, or don’t. “It worries me to think that everything I know should never have existed: me, my family, my closest friends,” he writes. “This book should never have existed and yet, somehow, you’re reading it, right now, in a moment that might never have arrived.” Padilla has a knack for effectively deconstructing difficult concepts, using explanations that include Usain Bolt, Lego, and Squid Game. Though parts of the book are extremely challenging, like James Gleick’s Chaos and Stephen Hawking’s A Brief History of Time, it is a remarkable piece of work that is well worth the effort.
Astonishing in its sweep and depth, this book offers a unique way of looking at the universe.Pub Date: July 26, 2022
ISBN: 978-0-374-60056-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
A straightforward, carefully detailed presentation of how ``fruit comes from flowers,'' from winter's snow-covered buds through pollination and growth to ripening and harvest. Like the text, the illustrations are admirably clear and attractive, including the larger-than-life depiction of the parts of the flower at different stages. An excellent contribution to the solidly useful ``Let's-Read-and-Find-Out-Science'' series. (Nonfiction/Picture book. 4-9)
Pub Date: Jan. 30, 1992
ISBN: 0-06-020055-3
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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