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THE PATIENT WAIT OF THE STONES

TIME AND MEMORY IN LUNIGIANA

A life-affirming account of reinvention, learning, books, love, death—and, of course, plenty of stones.

Charming memoir of life in a tiny Italian town that hasn’t been overrun by tourists—yet.

One-time teacher and bookseller Romani’s memoir isn’t overly long, but he packs a great deal into it. One storyline concerns his arrival with his wife and partner in translating Italian poetry in a forgotten corner of Tuscany and making a home in a decrepit, all but abandoned house. “When we learned that the price of the house was compatible with our meager finances, we let enthusiasm prevail,” Romani writes, an enthusiasm that soon found him rebuilding collapsed stone walls and making the home habitable. That building stood in the shadow of an old borgo, or castle, that itself had been partially rehabilitated by an eccentric man known as the Professor, who tells the newcomers, “I was a doctor, pharmacologist, university professor, industrial manager—did you know this?” The Professor had also walked away from it all to spend the rest of his days rebuilding his castle and amassing a huge library of books that, he says in a lovely moment, rebuilt him “as though they were stones and rocks making of me their monument.” The stones of the title figure in many ways, from Romani’s slow education in the art of stonemasonry to the headstones that will come to mark the passage of the Professor—and in time the author—to the next realm: “My ashes will find a resting place at the foot of my stone wall, patiently waiting.” While portions of the book are given over to meditations on death, Romani also writes of the delightful rebirth of his small town with the arrival of expats—“Dutch, Russian, French, Belgian”—who, with Romani, are “forming a new community” with lessons for the world.

A life-affirming account of reinvention, learning, books, love, death—and, of course, plenty of stones.

Pub Date: June 2, 2026

ISBN: 9798992468748

Page Count: 272

Publisher: Galpón Press

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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