A masterwork of modern Italian literature that will leave readers eager for more.
A brilliant, sprawling, polyvocal tale of the rise of Benito Mussolini in the immediate aftermath of World War I.
“We are a populace of ex-soldiers, a humanity of survivors, of dregs.” So, at the beginning of this volume—the first of a projected trilogy—thinks Mussolini, who has gathered some hundred veterans of terrible alpine battles like Caporetto (“an army of a million soldiers destroyed in a weekend”) to seize state power. Mussolini, writes Scurati, shifting to third-person narration, is intelligent, kind to his friends, cruel to his enemies, and “not content with second place.” He is also a master of disguising his true intentions, capable of both carrying on an affair with a Jewish lover and then aligning himself with the rising antisemitic Nazi movement in Germany. Scurati draws on a vast dramatis personae to tell Mussolini’s story, among its number are Enzo Ferrari, the automaker and early ally, and Gabriele D’Annunzio, the dandy and poet whose “insatiable desire for female conquests becomes a desire for territorial expansion.” But always at the center is Mussolini, who envisions that “fascism will complete the nationalization of Italians,” turning them away from their attachment to towns and regions to behold the empire they are about to secure on the faraway Horn of Africa. Scurati gives Mussolini his theatrically blowhard moments (“jutting his neck out, he clenches his jaw and searches for breathable air, his already nearly bald cranium tilted up to the sky”), but he makes clear that Mussolini and his militias are deadly serious about killing their enemies—Scurati’s account of the murder of socialist legislator Giacomo Matteotti may remind readers of the most brutal moments of Bernardo Bertolucci’s film 1900—and acquiring absolute, uncontested power. Given the recent drift of so many parliamentary and democratic nations toward authoritarianism, Scurati’s book could not be more timely, and it’s a superb exercise in blending historical fact and literary imagination.
A masterwork of modern Italian literature that will leave readers eager for more.Pub Date: April 5, 2022
ISBN: 978-0-06-295-611-8
Page Count: 784
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
