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PEOPLE WHO TALK TO STUFFED ANIMALS ARE NICE

Nuanced and moving explorations of the intricacies of interpersonal relationships.

A story collection about the complications of coming-of-age in modern Japan.

One way or another, all of Omae’s young, introspective characters grapple with questions around gender expectations, social performance, and the idiosyncrasies of romantic love. In the title novella, Nanamori is a university student in Kyoto who struggles with belonging. He feels at odds with the prevailing notions of masculinity and the trappings that come with dating in young adulthood. He finds a kindred spirit in Mugito, another gentle soul who has an experience that changes the way she sees the world. Together, as new students, they explore the various clubs their university offers and find one that revolves around talking to stuffed animals. The Plushie Club ultimately helps them understand people in their orbit and open up to each other. The development of their friendship is fascinating; indeed, the story is at its best when it’s tracing the mental and emotional gymnastics its characters enact to avoid burdening others and what it means to truly connect. Social media adds a layer of complexity to common, but still confusing, human interactions in each story. In the novella, the president of the Plushie Club, a secondary character, seems unmoored by news of a shooting taking over his feeds. While the narrator doesn’t say where this shooting occurred, he says that a more recent one was livestreamed by a perpetrator spewing White supremacist rhetoric. It’s a relatively small but potent point for an American audience: an illustration of the ways in which our choices and their consequences impact a global community when we all share a timeline. The author excels in using simple but surprising scenarios to capture a range of emotions, especially anxiety, fear, ennui, malaise, disillusionment, and alienation. While the stories examine serious and often heartbreaking aspects of daily living, Omae injects them with just enough humor and tenderness to provoke thought and inspire curiosity rather than despair.

Nuanced and moving explorations of the intricacies of interpersonal relationships.

Pub Date: June 6, 2023

ISBN: 9780063227231

Page Count: 176

Publisher: HarperVia

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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REAL AMERICANS

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

A sweeping exploration of choice, chance, class, race, and genetic engineering in three generations of a Chinese American family.

Khong’s follow-up to her sweet, slim debut—Goodbye, Vitamin (2017)—is again about parents and children but on a more ambitious scale, portraying three generations in what feel like three linked novellas, or somehow also like three connected gardens. The first begins in 1999 New York City, where Lily Chen stands next to a man at an office party who wins a big-screen TV in the raffle. He insists she take it; he is Matthew Maier, heir to a pharmaceutical fortune, and has all the TVs he needs. On their first date, they go to Paris after dinner, and as this section ends, they’ve had their first child. The second part of the book moves to 2021 on an island off the coast of Washington state. It’s narrated by Lily’s now-15-year-old son, Nick; his father is nowhere in sight, at least for now. The closing section unfolds in 2030 in the San Francisco Bay Area. It’s told by Lily’s now elderly mother, May, with an extended flashback to her youth in China during the Cultural Revolution and her first years in the U.S. As a budding scientist, May was fascinated by genetics. Of the lotus flowers she studied at university, she observes, “Raindrop-shaped buds held petals that crept closer, each day, to unfurling. As humans we were made of the same stuff, but their nucleotides were coded such that they grew round, green leaves instead of our human organs, our beating hearts.” This concern for how and why we turn out the way we do animates the book on every level, and along with science, social constructs like race and class play major roles. Every character is dear, and every one of them makes big mistakes, causing a ripple effect of anger and estrangement that we watch with dismay, and hope.

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

Pub Date: April 30, 2024

ISBN: 9780593537251

Page Count: 416

Publisher: Knopf

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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