Daniels doesn’t just perfectly “queer the capes,” she delivers a book that’s tightly packed with brilliantly rendered...
It’s been nine months since the last Dreadnought was blown apart and he transferred the mantle—and the responsibilities—to teenager Danny Tozer, and she’s already world-weary.
On a never-ending cycle of thwarting supervillains, dealing with local police, going over interviews with her lawyer/publicist, Danny keeps to herself how the one thing that she loves the most about the job is the fight. She sinks into the violence, feeling a bite of disappointment when she wins too quickly. The first book’s arc showed the white protagonist’s growth from a terrified trans teen to a powerful, revered superhero who physically resembles her truest self. This sequel drops readers at a waypoint where Danny’s physically comfortable and finding her place among her fellow “capes,” but her physical strength allows long-standing emotional damage to come thundering to the surface. Healing from a lifetime of emotional abuse, Danny has anger issues and tunnel vision that cause her to unknowingly hurt others or not to notice her own insensitivity. This complex is brilliantly threaded through an intense conflict against a billionaire supervillain and one of the more sinister of her old foes, not to mention some challenging subplots. Daniels’ world expands to include even more exciting capes, including a successor to an old friend and a brilliant, nonbinary cape called Kinetiq.
Daniels doesn’t just perfectly “queer the capes,” she delivers a book that’s tightly packed with brilliantly rendered fights, nail-biting scenes of peril, emotional authenticity, and a perfect first kiss. (Science fiction. 12-adult)Pub Date: July 25, 2017
ISBN: 978-1-68230-824-0
Page Count: 350
Publisher: Diversion Books
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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