Simply stunning.
This stand-alone companion to Tucholke’s The Boneless Mercies (2018) reimagines the legend of King Arthur—with a twist.
Eighteen-year-old narrator Torvi and her 14-year-old sister, Morgunn, are the only survivors of the devastating plague that swept through their steading. Torvi especially aches for her mother and Viggo, the shepherd who captured her heart. The arrival of a druid named Gyda shatters their quiet existence: She claims to be on a quest for a magical sword and that Uther, the fearsome wolf-queen of the feral wolf-priests, can lead her to it. The sisters jump at the chance to join her. Torvi’s mother always told her that she was too softhearted and not destined for greatness, but Viggo insisted that she smelled of “dark forests, of gloomy caves, of exotic spices, of danger, of battle, of sacrifice, of hard-won victory.” When Morgunn is kidnapped by Uther and her pack, Torvi vows to rescue her. Joined by a band of wandering, knife-wielding artisans, they set out for the long journey, picking up new quests and allies along the way. Tucholke delivers exquisite worldbuilding and imaginative characters, and Torvi’s tale is packed with peril and no small amount of sacrifice—even a touch of romance. Her story also speaks to the joy found in spending time with loyal friends as well as the power and magic of storytelling. Readers won’t want this one to end. All characters seem to be white.
Simply stunning. (map) (Fantasy. 14-18)Pub Date: April 28, 2020
ISBN: 978-0-374-30709-7
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: March 1, 2020
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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