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THE GIRL IN THE WHITE VAN

An uneven mystery with intriguing explorations into the myriad effects of trauma.

A kung fu student combats a kidnapper.

Savannah Taylor has gotten used to relocating every time her mom falls for a different man. Now in Portland, Oregon, she struggles to live with Tim, her mom’s controlling boyfriend, while pursuing her newfound passion: In kung fu class she uncovers newfound strength, finding a sanctuary from her chaotic home life. Though she’s resolved not to make friends, she’s drawn to Daniel Diaz, a green belt who shares her interest in Bruce Lee. Meanwhile, rumors swirl at school about a driver who is following girls in battered, unmarked cars. Even worse, a girl one town over vanished last year. Leaving kung fu one night, Savannah is attacked, waking up in the back of an old white van with her wrists duct taped. Her kidnapper is a man who goes by Sir. With the help of an unexpected ally and Bruce Lee’s words of wisdom, Savannah must summon the strength to outwit Sir if she wants to make it out alive. The narrative, told through multiple first-person perspectives, offers insight into trauma’s ripple effects. While this is interesting, and the pacing is strong, insufficient time is spent on character development, detracting from the immediacy of Savannah’s situation. The ease with which the mystery is solved further dampens the tension. Daniel is cued as Latinx; other major characters are presumed white.

An uneven mystery with intriguing explorations into the myriad effects of trauma. (Mystery. 14-18)

Pub Date: July 28, 2020

ISBN: 978-1-250-15759-1

Page Count: 224

Publisher: Henry Holt

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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