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FULL OF FALL

From the Weather Walks series

Young readers’ imaginations are sure to be fired by Sayre’s awe-inspiring photos and by the bite-sized science facts...

Leaves of orange, gold, and red shout from amid the last of summer’s fading green canvas.

Shy at first, then with a bold advance, the ripple of flaming colors races through the forest like a metachronal wave until the miserly hoarders of chlorophyll are too embarrassed to do much more than sulk. A carpet of leaves; a canopy of leaves—a crescendo of leaves. Sayre’s stunning photographic images sweep across each majestic double-page spread. The rhyming text meanders from one-word identifiers—“Midribs”—to ecstatic exclamations: “So many leaves!” However, the irregular meter occasionally sputters. “Fall is ending. // Goodbye, leaf show. / Winter is coming…. // Oh, / hello, snow!” Also, whereas critters and weather figured prominently in Sayre’s previous offerings, here they are very minor players and are sorely missed. There are cameo appearances by wind and sun and only four shots of fauna—two squirrels, a mallard, and a flight of geese. This absence, especially as this is the season when forest animals and insects are frenetically preparing for the cold, contributes to a sterility of tone despite the wonder of fall’s audacious palette. In addition, the decision to introduce the next season is disappointing. Spring kept its nose out of Best in Snow (2016), and instead of stealing fall’s thunder, winter should have done the same. Fortunately, nature’s glorious riot overpowers these missteps.

Young readers’ imaginations are sure to be fired by Sayre’s awe-inspiring photos and by the bite-sized science facts provided at the end of the book. (Informational picture book. 3-8)

Pub Date: Aug. 29, 2017

ISBN: 978-1-4814-7984-4

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: June 15, 2017

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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