The pigs along Fish Street are all sleeping when: At #1, a little bird sings her song, “Tweeet-Tweeet-Ta-Ta-Ta-Tweeeeet,” waking up Mr. Krudwig at #2, who’s been dreaming of pancakes and gets up grumpily to let out his dog, Leopold. Happy to be out in the sun, Leopold barks, waking Mrs. Musky at #3. Her tea kettle wakes Mrs. Depolo at #4, who’s late for school and screeches off in her convertible. The noises, neighbor to neighbor, continue until little Wendell Willamore in #10 wakes in his crib under a mobile of his own birds. Here, in text and pictures, is a neighborhood, neighbors and friends following their routines to the sounds of “Rappity-rappity-rap” (the dog) and “Wack-slam! Wack-slam!” (the cat), through “Wigata-wigata-wigata” (a sewing machine) and finally to “Weeeeeee!” as Wendell awakes in the sunshine. Stevens’s text often reads like poetry as she describes her characters and their mornings, each bound to be familiar in a new way to readers. There is much more to explore in Hills’ pictures, little stories being played out from endpapers to endpapers as the shifts in light and activity signal the day’s beginnings. As absolutely charming as a sunny morning can be. (Picture book. 3-7)
Pub Date: Sept. 11, 2007
ISBN: 978-0-375-83621-3
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
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