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From the Glitter Duology series , Vol. 2

A delicious drama of morally imperfect characters in a fantastical future world with timely, relevant politics.

In this sci-fi duology closer, Queen Danica must embrace her role to find a way to break out of her gilded, 22nd-century cage.

Dani’s been back-stabbed by her crime-lord contact and returned to the palace, where she’s forced to wed the king and to continue dealing Glitter. The young white woman resolves to take down the men controlling her and to rescue her enslaved love, Saber (a green-eyed man of Mongolian descent). Playing along until she has the resources to make a true move, Dani must take down social rivals (such as King Justin’s bully of a mistress, Lady Cyn) and scheme against dissident factions within Sonoman-Versailles. The strategies required demand that she think of the consequences (and said consequences’ consequences) of her actions, which reinforces the guilt she feels about the casualties of her decisions—but they also reveal something she finds unpleasant about herself: she enjoys the power games, especially winning them. While pulling at threads to find weaknesses in her enemies, Dani and her friends uncover company secrets that trigger heavy themes about automation’s impact on economies and the concentration of wealth. Dani and Saber’s relationship is much better realized than in Glitter (2016), especially when they disagree or he’s criticizing her decisions (and helping her grow stronger—literally). The hard-fought ending tonally matches the story.

A delicious drama of morally imperfect characters in a fantastical future world with timely, relevant politics. (Romantic thriller/science fiction. 12-adult)

Pub Date: Feb. 13, 2018

ISBN: 978-1-101-93374-9

Page Count: 384

Publisher: Random House

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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