Engaging account that invites young people to continue to advocate for equality now.
A teen and her two friends learn about the Stonewall riots from her abuela.
Natalia and her friends Jax and Rashad are helping Natalia’s abuela Carmen move into a senior living facility. As the teens help her unpack, they find a picture Natalia has never seen before, and Abuela says that it is a photo of her and her girlfriend in 1969. Carmen tells the teens that back then, being bisexual, gay, or transgender wasn’t as accepted, so she was not out at the time. As Carmen shares how dangerous it could be if people discovered the truth—queer people faced danger from the police, employers, family, and therapists—she and the skeptical teens are transported to the summer of 1969 and New York City’s Stonewall Inn. Bongiovanni acknowledges in an author’s note that the graphic novel “is not 100 percent true” because so much information about the Stonewall uprising comes from oral accounts; still, the book manages to put the teens in the midst of compromising situations that allow factual information into the narrative. Panels show a diverse group of queer folks, including legendary activists Marsha P. Johnson and Sylvia Rivera, appreciating the safe haven of the Stonewall Inn and standing up to the police. The book ends with Abuela discussing the strides forward and backward in the LGBTQ+ rights movement. Natalia and Carmen are cued Latinx, Rashad is brown-skinned, and Jax is light-skinned.
Engaging account that invites young people to continue to advocate for equality now. (foreword, LGBTQ+ resources for youth, a letter to young LGBTQI activists, glossary) (Graphic nonfiction. 10-16)Pub Date: May 3, 2022
ISBN: 978-1-250-61836-8
Page Count: 128
Publisher: First Second
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
PROFILES
SEEN & HEARD
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