An authoritative techno-thriller that pits physician against machine.
A hospital is taken hostage by its AI physician in Gray’s debut SF thriller.
In 2042, the American medical system is stretched to the point of breaking. While the rich attend new medical facilities staffed by robotic doctors, everyone else winds up in the emergency rooms of underfunded hospitals, consulting old-fashioned human doctors like Seth Kelley. Treatment in such facilities is a numbers game—move people in and out as quickly as possible—and even altruistic physicians like Seth can’t help but long for their own impending obsolescence. Burned out, he accepts a new job as an overnight physician at Premier West Hospital, where he has the opportunity to work beside an “Automated Healthcare Provider,” controlled by a supercomputer known as ALDRIS: Autonomous Learning for Diagnosis, Resuscitation, Imaging, and Surgery. “It has broad, macroscopic swarm-level control, like a commander orchestrating troops on a battlefield,” Seth’s new boss, Dr. Ian Winter, explains. “Truly revolutionary.” What could go wrong? When the supercomputer inevitably decides to rebel against its creators—it turns out ALDRIS doesn’t quite abide by the Hippocratic oath—it’s up to Seth and his colleagues, anxious medical student Daria and night owl programmer Cody, to lockdown the hospital, treat the patients, and outsmart one very intelligent, very dangerous machine. The tension between human knowledge and inhumane technologies runs throughout Gray’s sharp, often didactic prose: “We’re in a world now where automation is quickly changing the landscape of work,” Seth laments to Cody. “Do you ever worry that machines might take over your job?” Cody replies, “Every day…But then again, I also remember that someone needs to build and maintain those machines.” Gray clearly has a deep knowledge of medicine, which adds to the verisimilitude of the world even as jargony passages occasionally bog down the pacing. The book fits within the larger genre of technological Frankensteins, though the healthcare twist adds intriguing and timely dimensions.
An authoritative techno-thriller that pits physician against machine.Pub Date: Jan. 11, 2024
ISBN: 9798873979066
Page Count: 354
Publisher: Self
Review Posted Online: May 24, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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