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SHADOW IN THE WARD

An authoritative techno-thriller that pits physician against machine.

A hospital is taken hostage by its AI physician in Gray’s debut SF thriller.

In 2042, the American medical system is stretched to the point of breaking. While the rich attend new medical facilities staffed by robotic doctors, everyone else winds up in the emergency rooms of underfunded hospitals, consulting old-fashioned human doctors like Seth Kelley. Treatment in such facilities is a numbers game—move people in and out as quickly as possible—and even altruistic physicians like Seth can’t help but long for their own impending obsolescence. Burned out, he accepts a new job as an overnight physician at Premier West Hospital, where he has the opportunity to work beside an “Automated Healthcare Provider,” controlled by a supercomputer known as ALDRIS: Autonomous Learning for Diagnosis, Resuscitation, Imaging, and Surgery. “It has broad, macroscopic swarm-level control, like a commander orchestrating troops on a battlefield,” Seth’s new boss, Dr. Ian Winter, explains. “Truly revolutionary.” What could go wrong? When the supercomputer inevitably decides to rebel against its creators—it turns out ALDRIS doesn’t quite abide by the Hippocratic oath—it’s up to Seth and his colleagues, anxious medical student Daria and night owl programmer Cody, to lockdown the hospital, treat the patients, and outsmart one very intelligent, very dangerous machine. The tension between human knowledge and inhumane technologies runs throughout Gray’s sharp, often didactic prose: “We’re in a world now where automation is quickly changing the landscape of work,” Seth laments to Cody. “Do you ever worry that machines might take over your job?” Cody replies, “Every day…But then again, I also remember that someone needs to build and maintain those machines.” Gray clearly has a deep knowledge of medicine, which adds to the verisimilitude of the world even as jargony passages occasionally bog down the pacing. The book fits within the larger genre of technological Frankensteins, though the healthcare twist adds intriguing and timely dimensions.

An authoritative techno-thriller that pits physician against machine.

Pub Date: Jan. 11, 2024

ISBN: 9798873979066

Page Count: 354

Publisher: Self

Review Posted Online: May 24, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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