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TOGETHER WE SEE

Rich, complex, and powerful in matters of the heart.

Following the unexpected death of her father, a Bribri American teen must confront family truths and secrets in award winner Tison’s haunting sophomore work.

When her estranged father, Andres Dominguez, unceremoniously arrives at the family farm in Wisconsin right before Christmas, Ulá expects another round of broken promises—a pattern that’s part of their fraught relationship. Their attempt at reconciliation proves fleeting, and Andres soon returns home to Costa Rica. Two days later, he’s found dead, and Ulá travels with her older brother, Kabék, to the Bribri territory for the funeral. Worrisome questions around Andres’ death and his activism on behalf of Bribri liberation and land rights attract the attention of Ian Solera, an independent investigative journalist from Limón. Then Ulá finds a cryptic note from Andres that decidedly points to murder. As sister and brother investigate their father’s death, and new and longtime friends alike come together to lend a hand, a fearsome network of people involved in illegal activities and corruption emerges. Though the work is structured like a murder mystery, Tison’s first prose novel excels when it focuses upon the complex, bittersweet father-daughter relationship at its core, which resonates beyond the somewhat perfunctory whodunit that unfolds. Writing in the first-person for Ulá and ingeniously using omnipresent narration for other characters, Tison weaves in Bribri folklore, reflections on the fight for Indigenous Costa Rican rights, and the weight of familial ties to great impact.

Rich, complex, and powerful in matters of the heart. (author’s note) (Fiction. 12-18)

Pub Date: June 16, 2026

ISBN: 9780374389512

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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