by Arianna Rebolini ‧ RELEASE DATE: April 29, 2025
A brave narrative of radical empathy both for oneself and for others confronting the darkest darkness.
A multi-angled examination of suicide.
In 2017, several years after her first suicide attempt, Rebolini became so tormented by a desire to die that she checked herself into a psychiatric ward. In the years since that stay, she has performed sweeping literary, sociological, historical, and psychological research on the topic of suicidality, in an “effort to stake a claim in a conversation dominated by fear and disgust.” Rebolini has been depressed or suicidal most of her life and comes from a “family replete with mental illness”; her own extreme lows mix with those of her brother, Jordan, and other close friends to grant personal shape to a broader inquiry into not only what prompts individuals to engage the extremity of suicide, but also what constitutes recovery from a suicide attempt. Even as the author advances professionally, and achieves other lifelong dreams like marriage and motherhood, the possibility of suicide never disappears, and even the highs of career and family successes necessitate a certain contemplative navigation. She extrapolates from her own financial stress and career ambitions to critique modern stressors like expectations of productivity and barriers to mental health care, and literary figures like Sylvia Plath and David Foster Wallace offer both general lessons and notches against which to measure the severity of her own experience. Rebolini admits that suicide is “tough to talk about because so much of it doesn’t make sense” and that normalizing suicidal thoughts and acts carries a risk. She insists, however, on trying to walk this careful line, and her effort counters the shame of those trying to dodge a persistent desire to not exist, while extending compassionate understanding of and gentle guidance to all those who care for and worry about loved ones struggling with depression and suicidal thoughts.
A brave narrative of radical empathy both for oneself and for others confronting the darkest darkness.Pub Date: April 29, 2025
ISBN: 9780063295322
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 15, 2025
Kirkus Reviews Issue: May 15, 2025
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
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