A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.
This debut fantasy follows two young Jews escaping the Inquisition who discover their connection to another world.
In a region resembling Renaissance-era Spain—to the extent that it includes Christians, Muslims, Jews, and the works of medieval Jewish philosopher Maimonides—the Inquisition is coming, and Jews must flee or convert. Naftaly Cresques, a bad tailor tormented by true visions and odd dreams of familiar-seeming places peopled by square-pupiled inhabitants, is among the refugees. Strong-willed fellow refugee Elena Peres soon drags Naftaly into the search for her lost granddaughter, Toba. Toba is a strangely weak and strangely gifted young woman—she cannot run or shout but can simultaneously translate a book into Latin with one hand and Arabic with the other—who has disappeared into a burst of light within a pomegranate grove. She has been transported to the realm of the square-pupiled people, the magical, long-lived race known as the Maziks, who are still suffering the effects of a brutal political coup and spiritual upheaval centuries before. As Toba explores her own mysterious connection to the Maziks and struggles for control of her newly discovered magical gifts, Naftaly faces deadly challenges both on the road and in his dreams, and both become entangled with the Maziks’ dangerous intrigues. It is perhaps a bit confusing that the mortal world of the book, which specifically names the languages, religions, and politics of our own history, is set entirely in imaginary lands. On the other hand, a great deal of Jewish-inspired fantasy tends to employ a coded version of Judaism, and some might find it refreshing to read a book with clearly identified Jewish protagonists and that directly draws on Jewish rituals and culture instead of cloaking them in author-invented terms. It is also refreshing that although the introductions of Naftaly and Toba initially suggest to the experienced reader of traditional fantasy novels that they are destined to become a couple, that expectation is shattered fairly definitively. The worldbuilding is intricate and takes up most of the plot, which unfortunately causes the pacing to drag somewhat. The climax is exciting, but it's clear that the book is mainly a setup for actions that will take place in future volumes, which makes this installment an intriguing tease but not entirely satisfying in and of itself.
A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.Pub Date: Sept. 26, 2023
ISBN: 9781645660576
Page Count: 576
Publisher: Erewhon
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A delightful, genre-defying debut.
Historical horror? Dark fantasy? Queer romance? All of the above!
“I was hundreds of years old before I ever met him, but that day we were both young.” While visiting his Florence offices in 2013, attorney Sebastian Grave unearths a bloodstained lambskin glove that belonged to a past lover—a man he’d met in the 18th century. Nestled within this frame narrative is a tale of desire, werewolves, and the French Revolution. In telling his story, Sebastian introduces Sarmodel, the demon with whom he shares a body, and a succubus named Livia contributes chapters in which Joan of Arc, her notorious ally Gilles de Rais, and the archangel Michael all make appearances. First-time novelist Sullivan wields the tools of multiple genres deftly, but what really makes this book special is its central character. Sebastian has powerful magic at his disposal, but he’s also human enough to fall hard for a hot young nobleman. When Sebastian goes hunting for the Beast of Gévaudan, he’s not looking for adventure. The first time, it’s because he can’t resist Antoine Avenel d’Ocerne. The second time, it’s because he dreams of a reunion with his love—even though he knows this is a hopeless wish against the advice of Sarmodel. Using Sebastian as a narrator keeps things light, in part because he has a droll, contemporary voice and in part because it makes the worldbuilding feel natural. There are footnotes, but there are no infodumps. The fact that Sebastian doesn’t know exactly what he is sets the tone for storytelling that leaves a great deal unexplained while providing enough detail to keep the reader engaged. Deploying Sarmodel as a sort of alter ego and allowing Livia to offer her own perspective on Sebastian also adds both depth and charm.
A delightful, genre-defying debut.Pub Date: Feb. 24, 2026
ISBN: 9781250362766
Page Count: 544
Publisher: Tor
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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