BOXEN

THE IMAGINARY WORLD OF THE YOUNG C.S. LEWIS

Between the ages of seven and 29, C.S. Lewis produced short sketches of an imaginary world named "Boxen"—a cosmos bounded by his older brother Warner's imaginary India on the east and by young Jack's wholly invented Animal-Land on the west. Walter Hooper, the editor of this volume and Lewis' former secretary, literally snatched these pages from a small fire to which the elderly "Warnie" was feeding them in 1964. Although few authors would care to have their childhood fantasies published, these sketches do possess a distinct, daft charm. Warnie and Jack Lewis lost their mother to cancer in 1908, and were reared chiefly by their father, a public prosecutor steeped in the angry politics of Northern Ireland. Precocious Jack's Boxen is similarly a hotbed of insurgency: the early tales deal with "Manx against Manx," "The Relief of Murry," and the invasions of Horse-Land and Pig-Land. Later stories move beyond aggression into ethics. In "The Silor," a novel written when Jack was 14 and at boarding school, Mr. Cottle ("a strong and wiry young Cat") arrives on board H.M.S. Greyhound charged with the secret mission of reforming its crew's lazy ways, but is himself corrupted by a genial paymaster, James Bar (a bear). Lewis leaves them as "good friends if not good officers. . .they manage to hit a golden mean between Bar's desparate [sic] exploits and Cottle's absurd idealism." The charm here lies in the innocence and, in fact, the averageness of the stiff, childish drawings and the predictable roster of kings and heads of state (King Bunny was Jack; the Rajah or "Jah" was Warnie). Flashes of the great fantasist-to-be appear only in the increasingly sure-footed handling of humor and characterization; spelling, though, remains agreeably erratic throughout. Although more an indirect portrait of an Edwardian childhood than a major collection of new stories, Boxen—as Lewis' first and formative imaginary kingdom—should be of interest to Narnia enthusiasts.

Pub Date: Oct. 17, 1985

ISBN: N/A

Page Count: -

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: Sept. 15, 1985

Did you like this book?

No Comments Yet

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 216

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

Did you like this book?

more