Engaging reminiscences from an ebullient storyteller.
Friends, lovers, and a few celebrities form the author’s logical, though not biological, family.
Fans of Maupin’s stories of gay life in San Francisco (The Days of Anna Madrigal, 2014, etc.) will find some familiar themes in this warm memoir. The son of a racist, homophobic conservative, the author grew up hiding his homosexuality, knowing the “revulsion, shame, disbelief,” and rejection that he would face. Yearning to win his father’s love, he became a staunch conservative himself; as a college student in the 1960s, he “railed against Socialists and peaceniks,” defended segregation, and enthusiastically spoke out against “radical social agitators.” He went to law school to follow in his father’s footsteps but was so bored that he dropped out only to pursue another of his father’s dreams: to see him in the military. Maupin recalls with affection his stint in Vietnam, where he became chief of staff to a sympathetic commander. His father, “who always said that God created a war for every generation of men in our family,” felt proud. His parents worried about his determination to be a writer, just as they worried about their son’s “lifestyle” choice, which they could not confront. Maupin’s professional breakthrough came when the San Francisco Chronicle commissioned him to write a five-day-a-week series of stories featuring a motley, eccentric, and appealing collection of characters, gay and straight, young and old, living in the author’s adopted city. The first installment of “Tales of the City” appeared on May 24, 1976, and changed his life. “The public was hooked on ‘Tales’ before the year was out,” he recalls. Collections of the stories were published and eventually turned into a miniseries starring Laura Linney (a cherished member of Maupin’s logical family). Loving remembrances abound—not least of his compassionate mother—as the author celebrates the many people who enriched his life; most famous among them are Christopher Isherwood, Ian McKellen, and Rock Hudson, with whom Maupin became “buddies with occasional benefits.”
Engaging reminiscences from an ebullient storyteller.Pub Date: Oct. 3, 2017
ISBN: 978-0-06-239122-3
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: June 1, 2017
Kirkus Reviews Issue: July 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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