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THE DAYS OF ANNA MADRIGAL

Sweet, undemanding entertainment most suitable for longtime fans.

More “Tales of the City” (Mary Ann in Autumn, 2010, etc.), with the former residents of 28 Barbary Ln. still fluttering around their erstwhile landlady.

Anna Madrigal is now 93 and very frail, but she’s still got the gender-crossing panache that led her away from the whorehouse her mother ran in Winnemucca, Nev., and from the unwanted appendages associated with her youth as a boy named Andy. Having had one of the earliest sex-change operations in the U.S., Anna is a legend in the transgender community, and her young caretaker, Jake, has built a special float for her to ride at this year’s Burning Man festival to receive what everyone knows will probably be her final accolades. He is ultimately persuaded by others in their San Francisco circle that it’s too risky, and indeed, the closing chapters’ vivid depiction of the “mosh pit in the desert,” as Michael Tolliver calls Burning Man, makes it seem an unlikely place for an elderly lady. But while Michael, husband Ben, bisexual celebrity Shawna (who’s looking for a sperm donor) and many others are cavorting in the Nevada desert, Anna has unfinished business in not-too-far-away Winnemucca, to which she has persuaded Shawna’s father (and Michael’s close friend), Brian, and his new wife, Wren, to drive her in their air-conditioned RV. So it’s no surprise when Anna finally ends up at Burning Man after the not-terribly-dramatic resolution to a conflict laid out in flashbacks to the year she left home at 16. Readers not up to speed on the series may have trouble sorting out all the relationships (and genders), but Maupin spins his usual good-hearted web of intrigues involving people who have created their own community to shelter them from disapproving straights. The plot is as soap-operatic as usual, though thankfully, Maupin has abandoned the lurid improbabilities that marred Mary Ann in Autumn in favor of touching reunions and reconciliations.

Sweet, undemanding entertainment most suitable for longtime fans.

Pub Date: Jan. 21, 2014

ISBN: 978-0-06-219624-8

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 3, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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