by Arthur C. Clarke & Gentry Lee ‧ RELEASE DATE: Aug. 1, 1988
Hard-working but mundane, near-future alien-visitor yam, as journalists, treasure-hunters, the US Navy, and alien super-robots mix it up beneath the sea off the Florida Keys. Ostensibly to investigate some unexplained whale beachings, but actually following the disappearance of an experimental Navy missile, journalist Carol Dawson charters the boat of disgruntled treasure-hunter Nick Williams and his jovial black sidekick, Troy Jefferson. Diving to the sea bottom, Carol and Nick discover—not the missile, but a peculiar golden trident. To complicate matters, repressed Navy commander Vernon Winters soon shows up, as does repulsive boat captain Homer Ashford—he once robbed Nick of a salvaged treasure. However, on a subsequent dive, Carol and Troy plunge into an underwater chamber, actually a spaceship full of weird shape-shifting robots. Seems that the damaged alien ship needs, in order to make repairs, information—plus large quantities of lead and gold. So, with some alien super-help, Carol, Nick, and Troy will hold off the Navy, relieve Ashford of the gold he stole from Nick—oh, yes, and save the entire human race. The gold trident, you see, contains genetically enhanced embryos—superhumans, too—for the aliens to release on Earth; instead, out of gratitude, the aliens agree to take the trident away and allow humanity to develop at its own pace. Lots of healthy character-building, such that everyone ends up with what they really need (Carol her story, Winters his God, Nick his significant relationship, Ashford his comeuppance), and some absorbing alien goings-on—but not too much besides. Clarke's ideas often take wing, but here he's just muddling through.
Pub Date: Aug. 1, 1988
ISBN: 0446513792
Page Count: 293
Publisher: Warner
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: July 15, 1988
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by Arthur C. Clarke and Stephen Baxter
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by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Pierce Brown ‧ RELEASE DATE: Jan. 16, 2018
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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