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THE GIANT SEED

This is a story of magic, etched with an everydayness that encourages readers to invite wonder, even bewilderment, into...

A welcome addition to Geisert’s gratifying series of wordless oddments features a volcano, a giant seed pod and, for sure, a bunch of pigs.

A gathering of pigs live on an island. Don’t ask why, just get into the mood, as you did with Geisert’s recent production, Ice (2011), a story of another bunch of pigs living on an island, with different problems, but solved no less phantasmagorically. The pigs reside in a compound of very natty sties built at the foot of a towering volcanic peak. One day, the sea winds blow a super-colossal dandelion seed to the island. Unlike fastidious gardeners, who would have beat the seed to a pulp and tossed it in the waves, the pigs rally their forces in a terrific earthmoving project and plant the seed. Which is a good thing, for as the weed blossoms grandly, as dandelion seeds will, the volcano also gets active, raining blobs of molten lava down on the pigs’ homesteads. All of Geisert’s etchings are things of antique beauty—feasts for the eyes, the dandelion leaves alone are print-quality items—but the hail of lava has an otherworldly sinister loveliness. With the volcano spelling their doom, the pigs hitch rides on the gargantuan dandelion fluff to a neighboring island.

This is a story of magic, etched with an everydayness that encourages readers to invite wonder, even bewilderment, into their lives. (Picture book. 4-8)

Pub Date: June 1, 2012

ISBN: 978-1-59270-115-5

Page Count: 32

Publisher: Enchanted Lion Books

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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LITTLE BLUE BUNNY

A sweet, if oft-told, story.

A plush toy rabbit bonds with a boy and watches him grow into adulthood.

The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.

A sweet, if oft-told, story. (Picture book. 4-8)

Pub Date: Feb. 1, 2022

ISBN: 978-1-72825-448-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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