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HOW THE BIG BAD WOLF GOT HIS COMMEUPPANCE

From the Clayton County Trilogy series

An entertaining delight for (nonpig) budding engineers everywhere.

The three little pigs creatively take on the Big Bad Wolf.

Struggling to keep her family afloat, a mother pig tells her three children that they have to seek their own fortunes. The classic narrative framework is here: The wolf tries to eat each pig at a house made out of grass bundles, a house made of “a large pile of construction materials,” and one that is a “stately castle.” But each pig has a calculated plan for thwarting the wolf, who eventually slinks back home. The pigs’ clever constructions, conveyed in Geisert’s trademark detailed illustrations, will enthrall children who love to build things (or take them apart): There’s a complicated mechanism for blasting the wolf with flour; a house under construction that puts itself together when the wolf huffs on it; and one that releases an “intricate alarm system of horns and whistles” when the wolf puffs on it. The illustrations, hand-colored copperplate etchings, have a distinct and inviting texture. Some of the illustrations, blurry and slightly out of focus, mimic the shaking of big blasts, though at least one that does not involve destruction is also blurry and, therefore, hard on the eyes. Vivid descriptors are used to bring the wolf’s exertions to the page: “Famished and desperate, the Big Bad Wolf huffed and puffed and blew mightily.” The worldbuilding in the illustrations is thoughtful and elaborate and will have readers poring over the pages.

An entertaining delight for (nonpig) budding engineers everywhere. (Picture book. 4-8)

Pub Date: Aug. 31, 2021

ISBN: 978-1-59270-314-2

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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