by Arthur J. Gonzalez ‧ RELEASE DATE: Feb. 28, 2013
An engaging, if flawed, YA time-travel tale.
In Gonzalez’s bold, imaginative young-adult debut sci-fi novel, a 17-year-old orphan discovers powers he never knew he had.
When he was a young boy, Gavin Hillstone’s loving adoptive mother was killed in a store shooting. Her husband, Jet, has always blamed Gavin for her death, and Gavin has suffered years of abuse at his hands. One day, after Jet nearly beats him to death, teenage Gavin discovers that he might still have living biological grandparents, and he journeys to Washington, D.C., to track them down. Once there, he learns why his grandparents put him up for adoption—and that his family has secret magical abilities. They’re photo travelers: people who can use any photograph as a portal to travel to the time and place depicted in the picture. One of their central principles, however, is to never change the past. Gavin also discovers that his family has enemies—another group of photo travelers known as the Peace Hunters, who feel that it’s morally justifiable to alter past events to make the world a better place. In the hands of a lesser author, this concept might have been a difficult sell, but Gonzalez grounds his novel in emotional reality, making it easy for readers to suspend disbelief during the fantastical portions. Gavin is a fully rounded character who seems a bit emotionally immature for his age at times, but his psychology is utterly believable—from the trauma associated with his abusive childhood home to his gradual acclimation to the prospect of reclaiming a family who loves him. Unfortunately, after a zippy, adventurous beginning and middle section, the novel comes a bit undone in its final act due to a plot hole and an unfortunate divergence into melodrama. Up until that point, however, the author delivers a well-paced fantasy story in a richly drawn world.
An engaging, if flawed, YA time-travel tale.Pub Date: Feb. 28, 2013
ISBN: 978-0988891630
Page Count: 418
Publisher: Arthur J. Gonzalez
Review Posted Online: June 3, 2013
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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