A harrowing thriller in which a young woman’s “joy of sacrifice” turned to tragedy.
A singular World War II tale highlights the bravery of a Sufi mystic’s daughter who sacrificed a peaceful life in France to become a secret agent for the British during the war.
Magida fashions a highly original biography of the short, brave life of Noor Inayat Khan (1914-1944), who became a radio operator for the British in her late 20s and was dropped into France as a spy in the summer of 1943. It is a sad and harrowing story of a young woman with a steely will and strong sense of family honor who was eagerly incorporated into wartime service by the British Special Operations Executive, perhaps due to her mixed upbringing and perfect French—even though one official noted that she was “sensitive, somewhat dreamy.” Magida spends a substantial, fascinating portion of the narrative exploring Khan’s unusual upbringing in the suburbs of Paris, where her father, a renowned Indian-born Sufi mystic teacher and musician, taught his international pupils and disciples. Noor’s mother, Ora, was the sister of the notorious self-styled yogi Pierre Bernard. By the author’s account, Noor’s upbringing was spiritually oriented, literary, and sheltered, and the family was uprooted when her father died. Noor, who trained as a musician as well, was closest to her mother and younger brother, Vilayat. Joining the exodus to England when the Nazis invaded in June 1940, the siblings, nonviolent rather than pacifist, had to decide how best to aid the war effort. Noor enlisted and trained in wireless telegraphy. While courageous, “direct…forthright and no pushover,” and “used to being underestimated,” Noor (spy name Madeleine) unfortunately disregarded some important rules of the secret agent, such as not contacting anyone she had known before the war, and her movements caught the attention of the Gestapo. She was imprisoned and eventually executed at Dachau.
A harrowing thriller in which a young woman’s “joy of sacrifice” turned to tragedy. (37 illustrations)Pub Date: June 9, 2020
ISBN: 978-0-393-63518-8
Page Count: 320
Publisher: Norton
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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