by Arthur M. Schlesinger Jr. ‧ RELEASE DATE: Feb. 24, 1992
A passionate criticism of multiculturalism by the two-time Pulitzer-winner. Schlesinger, a lifelong advocate of human rights, believes that this ``eruption of ethnicity'' has had many good consequences, that the belated recognition of the pluralistic character of American society has had a bracing impact on the teaching and writing of history, and that nothing is more natural than for black Americans to assert pride and claim identity. But cultural pluralism is not the issue, he says—``the issue is the teaching of bad history under whatever ethnic banner.'' When Oregon students learn that Africans visited the Americas before Columbus, or that Pythagoras and Aristotle stole their mathematics and philosophy from black scholars in Egypt, it is not only wrong, the author says, but it is the use of history as therapy. When black educators argue that black minds work in genetically distinctive ways, it is ``just another word for racism.'' The Ku Klux Klan, says Schlesinger, could not devise a curriculum more effective in handicapping and disabling black Americans. Moreover, the author sees the multiculturalism movement as attacking the very fundamentals of American democracy, finding that its underlying philosophy is that ``America is not a nation of individuals at all but a nation of groups, that ethnicity is the defining experience for most Americans.'' Schlesinger is blunt in his rebuttal: ``It may be too bad that dead white European males have played so large a role in shaping our culture. But that is the way it is.'' A refreshing, outspoken treatment of a phenomenon too often clothed in euphemism.
Pub Date: Feb. 24, 1992
ISBN: 0-393-03380-5
Page Count: 138
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
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by Joan Didion ‧ RELEASE DATE: Sept. 29, 2003
Demonstrates how very thin is the gilt on the Golden State.
With humor, history, nostalgia, and acerbity, Didion (Political Fictions, 2001, etc.) considers the conundrums of California, her beloved home state.
Pieces of this remarkable memoir have appeared in the writer’s usual venues (e.g., the New York Review of Books), but she has crafted the connections among them so artfully that the work acquires a surprising cumulative power. Didion tells a number of stories that would not in lesser hands appear to be related: the arrival in California of her pioneer ancestors, the nasty 1993 episode involving randy adolescents who called themselves the “Spur Posse,” the fall of the aerospace industry in the 1990s, her 1948 eighth-grade graduation speech (“Our California Heritage”), the history of the state, and the death of her parents. Along the way she deals with some California novels from earlier days, Jack London’s The Valley of the Moon and Frank Norris’s The Octopus, and explores the community histories of Hollister, Irvine, and Lakewood (home of the Posse). She sees fundamental contradictions in the California dream. For one, older generations resented the arrival of the “newcomers,” who in their minds were spoiling the view. But as Didion points out, the old-timers had once done the same. More profound is her recognition that Californians, many of whom embrace the ideal of rugged individualism and reject “government interference,” nonetheless have accepted from the feds sums of money vast enough to mesmerize Midas. Water-management programs have been especially costly, but tax breaks for all sorts of other industries and enterprises have greatly enriched some in the state (railroad magnates, housing developers, defense contractors) while most everyone else battles for scraps beneath the table. Most affecting are her horrifying portrait of Lakewood as a community devoted to high-school sports at the expense of scholarship and her wrenching accounts of the deaths of her father and mother.
Demonstrates how very thin is the gilt on the Golden State.Pub Date: Sept. 29, 2003
ISBN: 0-679-43332-5
Page Count: 240
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
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by Joan Didion
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by Joan Didion
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by Joan Didion
by Lisa Taddeo ‧ RELEASE DATE: July 9, 2019
Dramatic, immersive, and wanting—much like desire itself.
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.
In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.
Dramatic, immersive, and wanting—much like desire itself.Pub Date: July 9, 2019
ISBN: 978-1-4516-4229-2
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 19, 2019
Kirkus Reviews Issue: June 15, 2019
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