By turns touching and pulse-pounding, this conclusion will leave fans fully satisfied.
Modo is back for one last adventure.
Horrendously ugly, but superhumanly strong and able to change his face and form briefly, Modo has been a valuable agent of the Permanent Association, a secret group dedicated to protecting Britannia. But three months after The Empire of Ruins (2011), he has been effectively suspended from duty for disobeying Mr. Socrates, the man who has raised but never parented Modo. When French teen agent Colette (The Dark Deeps, 2010) contacts Modo, he and Octavia, along with Mr. Socrates and Tharpa, are drawn back into conflict with the wicked Clockwork Guild, which seeks to bring down the British Empire and everyone else as well. The Guild has continued to advance, with resurrected creatures made from dead bodies (think Frankenstein's monster); meanwhile, the Association has powerful steam-powered, armor-clad soldiers of their own, who were once the children harnessed by the Guild to bring down Parliament (The Hunchback Assignments, 2009). Adding to the drama, Modo’s parents may be alive, and Colette and Octavia vie for his attention despite his true, awful face. Beneath the action runs the question of “who am I”; while the answer may prove elusive, this final showdown helps Modo face the question and begin to answer it for himself.
By turns touching and pulse-pounding, this conclusion will leave fans fully satisfied. (Steampunk. 11-14)Pub Date: Sept. 11, 2012
ISBN: 978-0-385-73787-6
Page Count: 320
Publisher: Wendy Lamb/Random
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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