Another colorful novel of intrigue from accomplished Spanish author Perez-Reverte (The Seville Communion, 1998, etc.). The setting is Madrid in 1868: a time of political unrest as self-indulgent Queen Isabelle II’s hold on the throne grows shaky and numerous anti-royalist and revolutionary groups jostle for advantage. At the same time, tradition reposes serenely in the virtually cloistered life of the suave Don Jaime Astarloa, an aging “fencing master” who supports himself by teaching his art to Madrid’s nobility while planning his treatise on “the unstoppable thrust”—to be written as soon as he develops and masters this ultimate skill. A cryptic prefatory flash-forward is followed by some rather turgid (flatly translated?) exposition before Perez-Reverte efficiently places Don Jaime at the center of an exfoliating chain of intrigue whose individual developments are keyed to fencing moves and terms (“The Short Lunge,” “Glissade,” etc.). A beautiful young woman, Adela de Otero, persuades the initially reluctant master to tutor her and proves surprisingly worthy—in crisp, witty scenes charged with erotic tension. A marquis to whom Don Jaime introduces her is murdered under circumstances that point to Adela (who has inconveniently vanished); and a mutilated corpse that appears to be hers is dredged up from a river. A Javert-like police chief (Campillo) and a luckless journalist (Carceles) become involved, and signs both of a plot against the throne and of a murderous double agent deepen Don Jaime’s panic and confusion (amusingly counterpointed by the “eternal polemics” exchanged among his cronies at the ironically named Cafe Progreso). A climactic surprise meeting concludes with the master’s serendipitous performance of that “perfect thrust”—at a decidedly opportune moment. Not quite equal to PÇrez-Reverte’s very best, though it succeeds admirably both as a vivid picture of an unfamiliar culture and as high, sophisticated entertainment.
Pub Date: June 1, 1999
ISBN: 0-15-100181-2
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
It's clearly Cat’s meow, and if you respond positively to her tempestuous carryings-on, then you'll probably forgive Iles...
A serial killer who puts the bite on victims is the villainous center of a long, long psychothriller, as southern Gothic as it gets.
Dr. Catherine (Cat) Ferry is a forensic odontologist, which is to say “an expert on human teeth and the damage they can do.” In four cases enlivening the New Orleans crime scene, however, the damage done is mostly posthumous, the victims having been snuffed first, gnawed on afterward. Cat loves being called in to help NOPD investigations. She also loves a hunky homicide detective named Sean Regan. At some point, Sean says, he will leave his wife and kids for her, but it’s a point of diminishing probability. Hard to really blame Sean, feckless as he is, since Cat’s not only bipolar, alcoholic and promiscuous but also apparently content to remain that way. And then, leaning over the chewed-upon corpse of Arthur LeGendre, she has a panic attack that amounts to an epiphany. Something’s wrong, she intuits, and makes a beeline for home in Natchez, Miss. Somehow, she has sensed a connection between the New Orleans murders and dark doings in her own past. Twenty years ago, when Cat was eight, her daddy was shot to death. A mysterious assailant, grandpapa Kirkland has insisted through the years, but Cat has always found that difficult to accept. Now, in her old bedroom in the family manse, she unexpectedly discovers forensic evidence that supports her skepticism—and discovers as well gleanings of a terrible secret. In the meantime, back in New Orleans, the investigation has heated up, and here too it seems Cat had it right. Murder in New Orleans and murder in Natchez are connected by the same kind of terrible secret.
It's clearly Cat’s meow, and if you respond positively to her tempestuous carryings-on, then you'll probably forgive Iles (The Footprints of God, 2003, etc.) his unabashed quest for bestsellerdom.Pub Date: Feb. 15, 2005
ISBN: 0-7432-3470-7
Page Count: 512
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2005
An expert juggling act that ends with not one but two intercut trials. More, please.
His Clifton Chronicles (This Was a Man, 2017, etc.) complete, the indefatigable Archer launches a new series that follows a well-born police officer from his first assignment to (spoiler alert) his appointment as commissioner of the Metropolitan Police some volumes down the road.
William Warwick may have been born with a silver spoon in his mouth, but he’s done everything he can to declare his independence from his father, Sir Julian Warwick QC. When William, fresh out of King’s College with a degree in art history, announces his intention to enroll in Hendon Police College, his father realizes that he’ll have to count on William’s older sister, Grace, to carry on the family’s tradition in Her Majesty’s courts. Instead, guileless William patrols the streets of Lambeth until a chance remark lands him on DCI Bruce Lamont’s Art and Antiques unit under the watchful eye of Cmdr. Jack Hawksby. No fewer than four cases await his attention: the forger who signs first editions with the names of their famous authors; a series of even more accomplished forgeries of old masters paintings; a well-organized series of thefts of artworks by a gang whose leader prefers selling them back to the companies who’ve insured them and often don’t even report the thefts to the police; and a mysterious series of purchases of century-old silver by one Kevin Carter. His investigations take William across the path, and then into the bed, of Beth Rainsford, a research assistant at the Fitzmolean gallery, still reeling seven years after a priceless Rembrandt was stolen from its collection, most likely by landowner and self-styled farmer Miles Faulkner. As if to prevent William from getting even a moment’s sleep in between rounds of detection and decorous coupling, Beth unwillingly drags William into a fifth case, a 2-year-old murder whose verdict she has every reason to doubt. One of these cases will bring William up against Grace, whose withering cross-examination of him on the witness stand is a special highlight.
An expert juggling act that ends with not one but two intercut trials. More, please.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-20076-1
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
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